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Tue Mar 10
Mon Mar 9
Colman Domingo Responds to Paris Jackson’s Comments on Michael Jackson Biopic: “I Hope That She Eventually Loves the Tribute”
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Which Films Would’ve Won the Best Casting Oscar? 90-Plus Pros Voted. The Winners Are…
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Misty Copeland Says Timothée Chalamet “Wouldn’t Be an Actor” If “It Weren’t for Opera and Ballet”
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When and Where to Stream ‘Zootopia 2’ at Home
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James Wan to Direct ‘The Gangster, The Cop, The Devil’ for Paramount (Exclusive)
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Napa Valley StreamFest: Mariska Hargitay Set for Icon Award, Live ‘Awards Chatter’ Podcast Taping
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Toronto Film Critics Association Apologizes for Pro-Palestine Comments Edit as Member Exodus Grows
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Lauren Graham Explains Choice to Go “Against Type” in Recent Projects: “If There Was More Lorelai to Do I Would Do It, but the Facsimiles are Not as Good”
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Jane Fonda and ‘Barefoot in the Park’ to Kick Off TCM Classic Film Festival
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Studio Ghibli’s ‘Whisper of the Heart,’ ‘The Secret World of Arrietty’ Set for Imax Re-Release Across North America
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James McAvoy’s Feature Directorial Debut ‘California Schemin” Acquired by Bob Yari’s Magenta Light Studios (Exclusive)
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‘Project Hail Mary’: What the Critics Are Saying
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‘Cambodian Beer Dreams,’ Debuting at CPH:DOX, Explores the Parties, the Hangovers, and the So(m)ber Truths
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Oscars Producers Confirm, Detail Special ‘Sinners’ and ‘KPop Demon Hunter’ “Moments”
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‘Hamnet’ Actor Joe Alwyn Joins Cast of Tomas Alfredson’s ‘Seance on a Wet Afternoon’
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CPH:DOX’s Industry Boss Previews Program Taking on AI, Truth, Safe Havens for Independent Voices
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‘MARIINKA’ Director on His Copenhagen Doc Fest Opening Film That Zooms in on Divided Families and Ukrainians’ Personal Stories Shaped by War
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Tokyo Film Festival, TIFFCOM 2026 Dates Set
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‘Tirrenica’ Shows Us Southern Italy “Beyond Cultural Clichés” (Exclusive Thessaloniki Trailer)
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Patton Oswalt Takes Aim at Timothée Chalamet’s Ballet and Opera Comments With Punchy Monologue
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