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Tokyo: Rising Director Yuichiro Sakashita Delivers Sharp Social Satire in ‘Blonde’

Jesse Eisenberg Says He Didn’t Return for ‘Social Network’ Sequel “for Reasons That Have Nothing to Do With” the Movie

How ‘Prime Minister’ Landed with Madison Wells

Amy Pascal to Receive David O. Selznick Achievement Award at PGAs

Meg Ryan Talks Rom-Coms as Comfort Fare: “People Tell Me They Watch My Movies When They’re Sick”

‘Wicked: For Good’ Tracking to Open to Bewitching $115M-$120M at Thanksgiving Box Office

Taylor Sheridan Shocker: Paramount Keeping Him in Fold for ‘Call of Duty’ Movie With Peter Berg Directing

Santa Barbara Film Fest: Sydney Sweeney, Jacob Elordi and Chase Infiniti Among Eight Tapped for Virtuosos Award

Giancarlo Esposito on Playing Villains as Human Beings: “I Try to Be as Kind as Possible”

Ex-Netflix Boss Teresa Moneo Joins Good Chaos as Creative Director, Producer

Box Office Massacre: October Revenue Falls to 27-Year Low, Excluding the Pandemic

Alyla Browne Boards Aussie Horror ‘From Below’

‘Scream 7’ Trailer: Neve Campbell Returns to Face Ghostface in the Franchise’s Next Chapter

Hooray for Washington: David Beaubaire’s Sunset Lane Media Opens D.C. Office to Mine Film and TV Stories (Exclusive)

In Chilean Oscar Entry ‘The Mysterious Gaze of the Flamingo,’ a Girl Searches for Truth as Gay Men’s Looks Are Blamed for a Disease (Exclusive Trailer)

‘Dreams’ Director Michel Franco’s Packing List for Tribeca Festival Lisboa Has a Surprise Item

5 Questions With Tokyo Film Festival “Navigator” Kumi Takiuchi

Ethan Hawke Recalls Robin Williams Never Following ‘Dead Poets Society’ Script: “He Didn’t Ask Permission”

Julian Schnabel Talks Death and Immortality as an Artist: “I’m Not Going to Be Around for Very Long”

Why Diane Lane Says She Was “Overwhelmed” Filming ‘The Outsiders’

‘Hello Kitty’ Movie Sets 2028 Release From Warner Bros.

From ‘Nobody’ to Global Contenders: China’s Animation Sector Comes of Age