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Variety

With SXSW Debuts ‘The Saviors’ and ‘Wishful Thinking,’ Newcomer Highway 10 Showcases Its Moviemaking Ambitions

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‘Whispers in May’ Director on Coming-of-Age Roadtrip Set in Rugged Region of China: ‘It’s Not Just About Beauty; Those Mountains Carry Weight’

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‘Hell’s Army’ Director on the Rise of Russian Mercenary Legion the Wagner Group, and a Warning for the U.S.: ‘This Darkness Is Coming Everywhere’

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Nicole Kidman Says Her Oscar Prep Starts With Going to Church: ‘It Centers Me’

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Vince Vaughn’s Gangster Doubles Have SXSW in Stitches at ‘Mike & Nick & Nick & Alice’ Premiere

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‘Hokum’ Review: Adam Scott is Trapped in a Haunted Irish Hotel in Effectively Unnerving but Convoluted Horror

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‘SNL’ Tackles the Oscars: Tucker Carlson Rants About Liberal Movies, ‘Weekend Update’ Hosts Ponder Drone Attack and Best Actor Race

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‘Saturday Night Live’ Sets Jack Black as Next Host, With Jack White as Musical Guest

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Donald Trump Mocks Timothée Chalamet, Harry Styles During ‘SNL’: ‘The Stock Market is Going in One Direction: Down!’

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Harry Styles Claps Back at Queerbaiting Criticism During ‘SNL’ Opening Monologue, Ends Segment With Male Kiss: ‘Now That’s Queerbaiting!’

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‘Over Your Dead Body’ Review: Jason Segel and Samara Weaving Are Out to Kill Each Other in a Mad Thriller That May Be the Quintessential SXSW Movie

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‘Sender’ SXSW Review: Britt Lower and Rhea Seehorn Deliver the Goods in a Paranoid Mystery Centered on the Sinister Ease of Online Ordering

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‘Their Town’ Review: A Familiar but Lovely Coming-of-Age Tale from Katie Aselton and the Duplass Family

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‘Chili Finger’ Review: A Brilliant Judy Greer is a Clueless Scammer in This Starry Crime Caper With Coen Brothers Vibes

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Nick Jonas Warns ‘Be Careful Who You Share a Blunt With’ as Paul Rudd Music Comedy ‘Power Ballad’ Rocks SXSW

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‘#WhileBlack’ Review: A Scattered Documentary on Filming Police Brutality

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‘Pretty Lethal’ Review: A Ballet Action Romp With Limited Imagination

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Paramount Passes on ‘G.I. Joe’ Treatment from Max Landis (EXCLUSIVE)

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‘Manhood’ Review: Daniel Lombroso Sensitively Navigates Insecurities of American Masculinity While Breaking Its Taboos

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Jamie Lee Curtis Likely Would Have Passed on Jason Blum’s ‘Halloween’ Sequel If She Knew It Was a Trilogy. So, She Used It to Get a Development Deal

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FCC Chairman Brendan Carr Says TV Broadcasters Must ‘Correct Course’ or ‘They Will Lose Their Licenses,’ Citing Trump’s Outrage Over Iran War Coverage

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Phil Campbell, Motörhead Guitarist, Dies at 64

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Vince Gilligan Considered Making ‘Pluribus’ Cast Naked, but ‘We’re Not Working for HBO’ and ‘We Can’t Do That to All These Extras’

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Malaga Industry Wrap: Market Trends, Titles to Track

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How to Watch Harry Styles on ‘SNL’ Live Online

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UFC Fight Night: Emmett vs. Vallejos Livestream — Here’s Where to Watch the MMA Event Online

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Dea Lawrence and Hooman Shahidi Talk Personal Protection at Variety’s True Crime Summit: ‘It’s All About Being Proactive’

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‘King of the Hill’ Co-Creator Mike Judge to Receive Annecy Festival Honorary Cristal

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‘Buffy’ Reboot Dead at Hulu, Sarah Michelle Gellar Says: ‘If the Apocalypse Actually Comes, You Can Still Beep Me’

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Dolly Parton Was ‘Worn Down and Worn Out’ After Health Issues and Her Husband’s Death: ‘I Needed to Build Myself Back Up’

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‘The Madison’ Stars Michelle Pfeiffer and Kurt Russell Break Down That Shocking Death, Their Chemistry After 40 Years and Why Method Acting Wouldn’t Work

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Box Office: ‘Reminders of Him’ Leads on Friday With $8 Million; ‘Hoppers’ Holds Strong With $7.1 Million

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Málaga Festival: ‘The Garden We Dreamed,’ ‘I Won’t Die For Love,’ ‘Iván and Hadoum’ Sweep Top Prizes

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‘Kill Me’ Review: Charlie Day Cracks a Case That Could Break Him in Disarming Black Comedy

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‘My Father Killed Bourguiba’ Explores How a Failed Plot to Overthrow the Government Left a Tunisian Family Struggling to Live With the Consequences

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Nike Drops New Air Jordan 13 Retro ‘Chicago’ Sneakers: Here’s Where To Buy a Pair Online

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‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings

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‘Crash Land’ Review: Crass Humor Meets Poignancy in Coming-of-Age Dramedy About Grieving Canadian Stunt Boys

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Razzie Awards 2026 Winners: Ice Cube Named Worst Actor as ‘War of the Worlds’ Dominates With Five Dishonors

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‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterous — Game

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WGA West Sweetens Offer to Staff Union, Which May Picket AMPTP Talks

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Kevin Bacon and Kyra Sedgwick’s Meta Comedy Horror ‘Family Movie’ Draws Massive Laughs at SXSW Debut

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‘Ready or Not 2’ Brings Blood, Devil Worship and Exploding Bodies to Rowdy SXSW Premiere

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‘Pizza Movie’ Review: Gaten Matarazzo Goes from Stranger to Sillier Things in a Goofy Bad-Trip Comedy

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‘Love Island USA’ Renewed for Season 8, Sets June Premiere

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‘My Brother’s Killer’ SXSW Review: A Macabre Real-Life Murder Goes Unsolved for Decades

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Irish American Producer David McCourt Interviewed 1,000 People About the American Dream’ in New Doc ‘Amerigo’: ‘Is It Still Possible? And If Not, Is This the Country We Want to Live In?’ (EXCLUSIVE)

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Keke Palmer Gets Strange Marriage Proposal From a Fan While Speaking at SXSW; Taylour Paige Jokes ‘Sorry to This Man’

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Awards Circuit Podcast: Will Timothée Chalamet Win? How Many Times Will Paul Thomas Anderson and Ryan Coogler Hit the Stage?

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Why Chloe Grace Moretz Came Back to Rom-Coms After 12 Years for SXSW Premiere ‘Love Language’

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