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Variety

Kornél Mundruczó Directs ‘Unbelievable’ Amy Adams in ‘At the Sea’ But Has Been ‘Blacklisted in Hungary for Years’: ‘I’m Lucky I’m Able to Work’

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Creature Feature ‘Bone Keeper,’ Starring ‘Lord of the Rings’ Actor John Rhys-Davies, Sells to Several Territories (EXCLUSIVE)

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Yeo Yann Yann on Berlin Competition Film ‘We Are All Strangers,’ 13-Year Journey With Anthony Chen and Finding Hope in Struggle

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Global Constellation Boards Contemporary Adaptation of Classic ‘Emil and the Detectives’ (EXCLUSIVE)

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Japan’s Streaming Market Hits $7.2 Billion as Netflix, Prime Video and U-Next Dominate, Report Finds

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Savannah Guthrie Tells Her Mother’s Kidnapper ‘It Is Never Too Late to Do the Right Thing’: ‘We Still Have Hope’

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August Ponthier on Coming Out as Non-Binary and Exploring the Tension Between Home and Freedom With a Remarkable Debut Album, ‘Everywhere Isn’t Texas’

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Disney Unveils Latest Nike Collab, With Co-Branded Pieces for the Golf Course, Theme Park and Beyond

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Warner Bros. Discovery Eyes Renewed Discussions With Paramount Skydance After Latest Bid

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Spirit Awards Full Winners List: ‘Train Dreams,’ ‘Adolescence’ Among Top Honored Titles

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‘Sinners’ Star Wunmi Mosaku Has ‘Not Been Able to Celebrate’ Her Oscar Nomination Because of the ‘Killings of Renée Good and Alex Pretti by ICE’: How Could I ‘Enjoy the Moment?’

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‘Dust’ Review: A Stylish Saga of Friendship and Fraud That Slowly Plateaus

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J. Cole Debuts at No. 1 With Best First Week for an R&B/Hip-Hop Album in Nearly a Year; Bad Bunny Hits a New Sales Peak After Super Bowl

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Producer David Kaplan Talks Risking It All on ‘Josephine’ and Developing ‘It Follows’ Sequel: ‘It Takes a Village of People Who Believe’

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‘Pulp Fiction’ Writer Says It Was ‘Impossible’ to Get His Movies Made Until He Started an AI Production Company: ‘Just Put AI in Front of It and All of a Sudden You’re in Production on Three Features’

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The Epstein Files Have Become The Ultimate Disturbing Horror Movie. No Wonder We Can’t Look Away

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How to Watch NBA All-Star Game 2026 Live Online Without Cable for Free

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‘Josephine’ Producer David Kaplan Sets Gabriel Nussbaum’s ‘Triumph of the Will’ With ‘Unorthodox’ Star Shira Haas (EXCLUSIVE)

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Why the Sidelining of Politics in Berlin Is Causing a Stir: ‘If an Artist Is Afraid to Speak Up’ About ‘Fascism, They Shouldn’t Be Coming’

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‘Wuthering Heights’ Dominates Global Box Office With $82 Million, ‘GOAT’ Scores $47.6 Million Worldwide

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Chile’s ‘The House of the Spirits,’ ‘Raza Brava’ and ’Hidden Island’ Lead TV Series Contingent at Berlinale

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‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege

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Locarno Pro to Spotlight Uruguay in First Look WIP Initiative

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‘Dark Winds’ Goes Hollywood: How Season 4 Pays Tribute to Robert Redford and Rekindles Hope for Joe and Emma as It Travels to L.A.

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Tom Morello on Co-Directing ‘The Ballad of Judas Priest’: ‘What a Time to Be Alive Where You Can Both Make a Documentary About Your Favorite Band and Fight Fascism’

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Box Office: ‘Wuthering Heights’ Leads With $40 Million Over Holiday Weekend, ‘Crime 101’ Stumbles With $17.7 Million Against $90 Million Budget

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‘Salvation’ Review: The Roots of Violence Are Explored in Emin Alper’s Tense, Atmosphere Study of a Massacre

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Projeto Paradiso to Host National Talent Network Meeting in Burgeoning Brazilian Film Capital of Recife, Celebrates Strong Berlin Presence (EXCLUSIVE)

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Emin Alper on Berlin Drama ‘Salvation,’ Which References the Dynamics of Contemporary ‘Mass Murders, Massacres, Genocides and Wars’

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‘The Idiot(s),’ Starring Aimee Lou Wood, Johnny Flynn, Releases First Look Image

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Johnny Knoxville, Jason Flemyng Toplining Thrillers From Vienna-Based Pont Pictures (EXCLUSIVE)

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Historic Sites, Iconic Cities, Diverse Landscapes, Top Facilities Continue to Make Austria a Hot Location Destination Despite Funding Cuts

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Gael Garcia Bernal, Diego Luna, Alice Diop and More Set for Doha Film Institute Qumra Masters Lineup

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Berlin Selection ‘Light Pillar’ Unveils New Clip (EXCLUSIVE)

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Taiwan Prison Drama ‘Sunshine Women’s Choir’ Becomes Highest-Grossing Local Film Ever

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German Animation Showcase at EFM Pitch Sessions Celebrates Kids Fare, Teases Bovine-Pantherine Love, New Struwwelpeter, Life as a Kalashnikov

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Madrid Launches Berlin Networking Event, Aims to Strengthen International Positioning as Production Hub

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Director Hanna Bergholm and Star Seidi Haarla Talk Berlinale Shocker ‘Nightborn’: ‘We Were Dead Serious While Making It’

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Welcoming a New Life: ‘Papaya’ Debuts Trailer as Director Priscilla Kellen Talks Crafting Non-Dialogue Hope-Filled Narratives (EXCLUSIVE)

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Emma Laird on Going From ‘The Brutalist’ to ‘The Bone Temple’ and Picking Bold, Bonkers Roles: ‘I Don’t Want to Do Shakespeare, I Want to Play a Fish’

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Berlinale Issues Statement Following Political Backlash at Festival, Says Artists Should Not Be ‘Expected to Speak on Every Political Issue’

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‘Shanghai Daughter’ Director Agnis Shen Zhongmin on Blurring Fiction and Documentary in Berlin Panorama Debut

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‘Rocky the Troll,’ Produced by Team Behind Netflix Hit ‘Troll,’ Travels to Several Territories (EXCLUSIVE)

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‘Crouching Tiger’ Producer Bill Kong Brings Four Titles to Berlin’s EFM as ‘Panda’ Enters Forum

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Jackie Chan’s ‘Unexpected Family,’ Anthony Chen Competition Entry Lead Chinese Presence at Berlinale, EFM

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‘Sinners,’ ‘Frankenstein’ and ‘One Battle After Another’ Lead Make-Up Artists and Hair Stylists Awards Winners

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Horror Thriller ‘Hellcat’ Sells to Shudder for North America (EXCLUSIVE)

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Turkish Cinema’s Milestone Berlin Presence Bodes Well for Global Breakthrough Going Forward

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‘Moana’ Star Catherine Laga’aia to Lead Australian Thriller ‘Crashout’ (EXCLUSIVE)

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Mahamat-Saleh Haroun on Berlin Golden Bear Contender ‘Soumsoum’ and Why It’s His ‘Duty’ to Bring His Native Chad to the Big Screen

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