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Variety

France’s CNC Launches First Baltic-Focused Co-Production Workshop

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Parrot Analytics Teams With Qatar’s Nascent Film Committee, Opens Middle East Office in Doha

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‘The Office’ South African Adaptation ‘Die Kantoor’ Sets Showmax Premiere Date (EXCLUSIVE)

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China Box Office: Bi Gan’s Resurrection Debuts at No. 1 as ‘Demon Slayer’ Holds Firm

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Billie Eilish’s ‘Hit Me Hard and Soft’ 3D Concert Movie Set for Release by Paramount, Co-Directed by James Cameron

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Kiran Rao’s Kindling Pictures Backs Bosco Bhandarkar’s ‘Shadow Hill’ at WAVES Film Bazaar

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‘It: Welcome to Derry’ Finds Its Losers Club: The Young Cast on Landing Their Roles and Their Fears of Pennywise

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WAVES Film Bazaar Unveils Two New Awards to Boost Filmmaking Support

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Bird Flu Epidemic Immigrant Drama ‘Feather Men’ Bows at WAVES Film Bazaar

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Psychological Horror ‘No Onions’ Debuts at WAVES Film Bazaar

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Sam Elliott on His Emotional ‘Landman’ Role: How He ‘Spent a Good Part of My Time in Tears’ and Why the Part Speaks ‘Very, Very Strongly to Me’

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Shaboozey and Stephen Wilson Jr. on How They ‘Took a Walk’ Into Stephen King Land With Their ‘Long Walk’ Theme (and Wilson’s Own Viral ‘Stand by Me’ Cover)

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Udo Kier, German Actor Who Appeared in ‘My Own Private Idaho,’ ‘Andy Warhol’s Frankenstein,’ Dies at 81

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Jacqueline Bisset Explains Why She Will Never Direct: ‘I Might Become a Monster’

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Antonio Banderas Reveals Role as Mentor in Anthony Bourdain Biopic: ‘I Was Cleaning Fish Every Single Day!’

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‘Landman’ Season 2 Episode 2: Craziest Moments and Burning Questions, From a Shocking Breakup to [SPOILER]’s Surprise Return

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Why Does ‘The Wizard of Oz’ Still Cast Such a Wicked Spell? Because It’s the Movie That First Flipped the Patriarchy on Its Head

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‘Wicked: For Good’ Box Office: All the Records Set in Opening Weekend

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Ariana Grande and Cynthia Erivo Say Goodbye to ‘Wicked’ Characters With Emotional Tributes: ‘I Will Love You Always’

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Donald Glover Says He Suffered a Stroke During 2024 Childish Gambino World Tour: ‘They Found a Hole in My Heart’

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‘Wicked: For Good’ Flies to $226 Million Globally in Fourth-Biggest Box Office Debut of 2025

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‘Wicked: For Good’: Behind Glinda’s Extravagant Wedding, Including Designing a Dress with a 25-Meter Veil and Editing the Stampede to Sound like ‘Day of the Locust’

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Box Office: ‘Wicked: For Good’ Dazzles With $150 Million, Biggest Debut for Broadway Adaptation

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Vikramaditya Motwane Boards Coming-of-Age Comedy ‘Teacher’s Pet’ as EP, Taps Sindhu Sreenivasa Murthy to Direct – WAVES Film Bazaar

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Vidhu Vinod Chopra and Abhijat Joshi Deliver Candid Stories, On-Stage Flourishes at International Film Festival of India

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Trans Love Story ‘Lala & Poppy’ Filmmakers on Pioneering Film at International Film Festival of India

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New Zealand Sweetens Film Incentives, Eyes India Co-Production Revival – WAVES Film Bazaar

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‘A Fox Under a Pink Moon’ Review: A Teenage Bride Documents Her Escape from Iran in Expressive IDFA Winner

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James Bond Producer Barbara Broccoli to Produce ‘Othello’ Film With David Oyelowo, Rachel Brosnahan, Cynthia Erivo Shot in Doha

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John Arcilla, Loisa Andalio Billiards Drama ‘Bilyarista,’ Featuring Pool Legends Efren Reyes, Django Bustamante, Makes World Premiere at International Film Festival of India

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‘Black Red Yellow’ Review: Kyrgyz Oscar Entry Weaves the Serene Rhythms of Traditional Rug-Making With an Unassuming Love Story

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‘I, the Song’ Review: A Lookalike Prompts Self-Reflection in Modest Mystery From Bhutan

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QCinema Project Market Awards $310,000 in Support to Southeast Asian Filmmakers

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Cannes Winner ‘A Useful Ghost’ Takes Top Honors at QCinema in Philippines

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TikToker Tale ‘Deshlai’ From Director Q Secures Platoon One Distribution for 2026, Confirms Chorki Streaming Deal (EXCLUSIVE)

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Locarno Winner Raam Reddy Lines Up Gen-Z Mumbai Drama ‘Lavender Fire’ as Next Feature (EXCLUSIVE)

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Shekhar Kapur, Berlinale Chief Tricia Tuttle Warn of Creative and Operational Turbulence in AI Era at International Film Festival of India: ‘There’s Always a Phase of Overexcitement’

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Brendan Fraser Says ‘Batgirl’ Cancellation Is an Example of Movies Being ‘Commodified’ in Hollywood: ‘It’s More Valuable to Burn it Down and Get the Insurance’

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Saudi Arabia Is Now the Principal Export Market for the Egyptian Film Industry, Report Says

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Stephen Colbert Rallies Behind Public Media Groups Facing Major Funding Losses: ‘It’s Really Critical That These Stations Continue’

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‘Wicked: For Good’ Transformations Explained: How the Scarecrow and Tin Man Got Their Shocking Final Looks

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May Jabareen, Producer of Cairo Award Winner ‘Ping-Pong,’ on the Issues Dealt With in the Palestinian Film, and Upcoming Projects

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How ‘Wicked: For Good’ Introduces Dorothy and All ‘The Wizard of Oz’ Characters (Including Toto)

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‘The Devil Wears Prada 2’: Dwayne Johnson Pitched a Part for Himself to ‘Smashing Machine’ Co-Star Emily Blunt

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David Harbour on How ‘Stranger Things’ Has Changed Him: ‘It Ripped Apart the Whole Conception of What I Would Be’

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On the 30th Anniversary of Its Release, It’s Time ‘Casino’ Took Its Rightful Place as a Scorsese Classic

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Zahraa Ghandour’s ‘Flana’ Marks Historic Moment for Iraqi Women

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‘Family Plan 2’ Director Simon Cellan Jones on Why Computers Can Never Duplicate the Thrills of Human-Made Action Movies: ‘I F‑‑‑ing Hate AI’

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Josh Hutcherson on Why a ‘Hunger Games’ Return ‘Wouldn’t Take Any Convincing’ and How ‘I Love L.A.’ and ‘Five Nights at Freddy’s 2’ Got Him Out of a Major Slump

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Cairo Film Festival Puts Co-Production in Spotlight as Industry Pushes for Regional Collaboration

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