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Variety

‘The Age of Disclosure’: Documentary Revealing Government Cover-Up of Non-Human Intelligence Sets Release in Theaters and on Amazon Plus New Trailer

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Peacock’s John Wayne Gacy Drama ‘Devil in Disguise’ Is a Tasteful, Considered Take on the Sensationalized Serial Killer: TV Review

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‘Pillion,’ ‘Santosh’ Directors Among Winners of BFI and Chanel Filmmaker Awards

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CNN to Launch Streaming Subscription Tier for $6.99 Per Month

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CBS News’ Standards Chief Exits Amid Chaotic Period for News Division (EXCLUSIVE)

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Paramount Renews Deal With Walter Hamada’s 18Hz Productions, Debuts Trailer for Killer Chimp Thriller ‘Primate’

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Spotify Partners With Sony, Universal, Warner and More to Develop AI Music Products

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Janet Yang to Close Taiwan Content Fest With Keynote on Asian Cinema’s Global Push

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Vanessa Redgrave Set for Lifetime Achievement Award in Turin Before Premiere of New Film ‘The Estate’

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‘The Diplomat’ Re-Centers Keri Russell and Rufus Sewell’s Live Wire Chemistry With an Effective Season 3 Shake-Up: TV Review

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‘Outlander’ Star Sam Heughan Returns to Stage in First-Look Images From Royal Shakespeare Company’s 1990s Glasgow-Set ‘Macbeth’ (EXCLUSIVE)

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Yoshinaga Sayuri to Receive Lifetime Achievement Award at Tokyo Film Festival

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Pakistani Crime Thriller ‘Jujji’ Acquired by Buffalo 8 for Worldwide Distribution, Trailer Unveiled (EXCLUSIVE)

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Warner Bros. Discovery and CJ ENM Form Strategic Partnership to Expand K-Content Reach

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‘Conclave’ Composer Volker Bertelmann, ‘The Brutalist’s’ Daniel Blumberg Win at the 25th World Soundtrack Awards

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Bobby Deol Reflects on His Career Resurgence, Starring in Aryan Khan’s Directorial Debut and Losing Sleep Over ‘Bandar’: ‘It Was Surreal’

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How Epic ‘Wildwood’ Is Pushing Laika Into More Innovative Techniques and With Bigger Scope and Scale

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‘Sinners’ Production Designer Hannah Beachler on Weaving in Folklore, History and Sprituality Into Her Sets

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MSNBC President Rebecca Kutler Reveals Cancer Diagnosis

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Saying Goodbye to ‘Stranger Things’: The Duffer Brothers Tell All on Season 5 Secrets, the Tearful Finale and Leaving Netflix for Paramount (EXCLUSIVE)

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‘Hypnosis Mic’ Makes Japanese Box-Office History With $16.5 Million Haul on Limited Release (EXCLUSIVE)

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‘One Battle After Another’ Projected to Lose $100 Million Theatrically as ‘Smashing Machine’ and Others Also Struggle Due to Oversized Budgets

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Drew Struzan’s 10 Best Movie Posters, From ‘Harry Potter’ to ‘Indiana Jones’ and ‘Star Wars’

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Christopher Nolan Praises Dwayne Johnson, Says ‘Smashing Machine’ Will Be ‘Understood More Over Time’: ‘I Don’t Think You’ll See a Better Performance This Year or Most Other Years’

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Hulu’s ‘Murdaugh: Death in the Family’ Is an Engaging Tapestry of Privilege, Greed and Lies: TV Review

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Netflix Combines VFX Businesses Under Unified ‘Eyeline’ Brand

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‘The Testament of Ann Lee’ Star Viola Prettejohn on Standing Ovation Tears and Why She’d Follow Amanda Seyfried to the Promised Land: ‘She’s Quite Entrancing!’

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Banijay Picks Up Buzzy Reality Format ‘Werewolves’ For Multiple Territories From Studiocanal and Dreamspark (EXCLUSIVE)

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Lebanese Comic John Achkar’s Show at L’Olympia Hall in Paris Set for TV Special as Front Row Expands Into Comedy Content

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‘Monster High’ Launches Fortnite, Roblox Games as Mattel Unveils Big Plans for In-House Gaming Business (EXCLUSIVE)

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Ryan Reynolds Tracks Down a Real Human Named Tilly Norwood (Not the AI Actress) to Star in Ad for Mint Mobile’s Home Internet Service

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Daniel Day-Lewis Says Method Acting Criticism Is From ‘People Who Have Little or No Understanding of What It Actually Involves’: ‘It’s Almost as if’ We’re in a ‘Cult’

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Mipcom: Thailand’s TrueVisions Now Cooks Up ‘My Chef in Crime’; Denmark’s LevelK Launches RomCom TV FAST Channel; RTL Hungary Nabs ‘Most Wanted’

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Andrea Kalas on Film Preservation Revolution, Scorsese’s Film Foundation and Restoring ‘The Godfather Part III’

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Oble Adds to Mipcom Slate Canneseries’ Flanders’ ‘How to Kill Your Sister,’ Spanish Comedy ‘Segunda Temporada’ From ‘Autodefensa’ Creators (EXCLUSIVE)

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Natalie Portman Reflects on Why Diane Keaton Inspired Her in Lumière Masterclass: ‘She Let Women Be Weird on Screen’

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Natalie Portman Lights Up Lumière With Grace and Humor

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Oscars: Saudi Arabia Picks Shahad Ameen’s ‘Hijra’ for International Feature Race

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Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui and Dinesh Vijan Talk ‘Thamma,’ Maddock’s Expanding Horror Comedy Universe (EXCLUSIVE)

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‘Dr. Pimple Popper: Breaking Out,’ ‘6000lb Diaries’ Acquired by Warner Bros. Discovery for European Audiences (EXCLUSIVE)

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Creator Economy Crosses Over Into Mainstream Media at Mipcom as After Party Studios, Dhar Mann Studios and Tubi Unpack Their Different Models

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Bruce Springsteen Hails Stephen Graham’s Portrayal of His ‘Troubled’ Father in ‘Deliver Me From Nowhere’: He ‘Just Naturally Inhabited His Skin’

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Doha Film Festival Unveils Competition Lineup, With Emphasis on Gaza and Regional Fare

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Square Eyes Acquires ‘The Kartli Kingdom’ Ahead of IDFA World Premiere (EXCLUSIVE)

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‘High Wire’ Director Calif Chong on Stephen Chow Dreams, BFI London Film Festival Premiere and Making Immigration Funny

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‘Samsara,’ ‘It Was Just an Accident,’ ‘Magellan’ Lead Asia Pacific Screen Awards Nominations

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Fremantle’s Doc ‘Luca: Seeing Red’ Not Just About Ferrari, Argue Protagonist Luca di Montezemolo and Director Manish Pandey: ‘Family, Italy, Loyalty’

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FilmSharks Secures Rights to Political Action Thriller Project ‘Insurrección,’ Teams With ‘El Capo’s’ Marlon Moreno (EXCLUSIVE)

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Conan O’Brien’s Emmy-Winning TBS Series Lands at Radial Entertainment

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‘Dancing With the Stars’ Reaches 50 Million Votes During Emotional Dedication Night — and a New Duo Tops the Leaderboard

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