← Back to news
V

Variety

Paramount+ to Stream ‘Red Alert’ Series About Hamas Attack on Israel; David Ellison Says Show Highlights ‘Commitment to Storytelling Through Artistic Excellence and Accuracy’

V

London Film Festival Unveils Industry Forum With ‘Conclave,’ ‘Sentimental Value’ Producers Among Speakers

V

Costa Rican Kim Torres on Her Feature Debut ‘If We Don’t Burn How Do We Light Up the Night,’ Which Gets a Trailer: ‘Violence Is Something That’s Very Present in Latin America’ (EXCLUSIVE)

V

‘Emilia Pérez’ Star Adriana Paz and ‘Society of the Snow’ Lead Agustín Pardella to Star in ‘My Life With Him (Che)’ (EXCLUSIVE)

V

‘Day of the Jackal’ Finds New Lead Writer in ‘Lockerbie: A Search for Truth’ Scribe David Harrower as Creator Ronan Bennett Steps Back (EXCLUSIVE)

V

Basque Cinema Roars With Language, History and Pop as San Sebastián Premieres 38 Local Projects

V

Filmax Acquires Sales on Basque Exile Drama ‘Karmele,’ Whose Director Asier Altuna Praises ‘Art as a Form of Resistance’ (EXCLUSIVE)

V

AI Film Studio Launch Marks Animeta’s Expansion Into Scalable Content Production (EXCLUSIVE)

V

Nick Cassavetes to Direct the U.S. Remake of Italian Smash Hit Movie ‘The Boy With the Pink Pants’ (EXCLUSIVE)

V

Beta Film Nabs Marital Caper ‘A Lovely Mess – Rob the Rich’ Ahead of Mipcom (EXCLUSIVE)

V

‘House on Fire’s’ Dani de la Orden Set to Helm ‘El Director,’ Based on David Jiménez’s Lid-Lifting Non-Fiction Book (EXCLUSIVE)

V

India-Korea Co-Productions Take Spotlight at Busan Market

V

John le Carré’s ‘A Most Wanted Man’ Gets Korean Adaptation From the Ink Factory, VO Media

V

Nishijima Hidetoshi, Gwei Lun-Mei and Mariko Tetsuya on Busan Title ‘Dear Stranger’

V

Daniel Burman Shoots Feel-Good Dramedy ‘So Far So Good,’ Starring Benjamín Vicuña, for Flow, the Mediapro Studio (EXCLUSIVE)

V

Film Factory Boards Director Daniel Monzón’s ‘Pray for Us,’ From ‘Robot Dreams’ Producer Arcadia Motion Pictures (EXCLUSIVE)

V

IP Regulation in Spain and AI as a Job-Creating Force: 5 Takeaways From San Sebastián’s European Conference

V

Madrid Reaffirms Status as a Global Audiovisual Hub at the 73rd San Sebastián Film Festival

V

John Oliver Slams Jimmy Kimmel Suspension on ‘Last Week Tonight,’ Urges Disney’s Bob Iger to Tell Trump Administration ‘F— You, Make Me’

V

AI Series ‘Whispers’ Makes Interactive Debut at Busan ACFM

V

Jackie Chan’s Busan Title ‘Shadow’s Edge’ Has Sequel Discussions Underway (EXCLUSIVE)

V

Tom Holland Suffers Concussion on ‘Spider-Man: Brand New Day’ Set, Pauses Filming

V

Golden Leopard Winner Miyake Sho on Adapting Tsuge Manga for Busan Competition Title ‘Two Seasons, Two Strangers’

V

Indian Reality TV Gets Korean Makeover as Kross Pictures Unveils Four-Format Slate at Busan Market (EXCLUSIVE)

V

‘En Route To’ Review: In Strong Korean Debut, Adult Cares Complicate the Lives of Well-Drawn Teenage Heroines

V

Alia Bhatt, Soni Razdan on Busan Asian Project Market Title ‘Difficult Daughters’ (EXCLUSIVE)

V

Queer Love Story ‘Whisperings of the Moon’ Boards Inwave Films for Sales, Premieres at Busan (EXCLUSIVE)

V

’60 Minutes’ Staff Wants to Get Back to Stories After Season of Tumult

V

James Van Der Beek Forced to Drop Out of ‘Dawson’s Creek’ Reunion Due to Illness, Lin-Manuel Miranda to Replace Him in Script Reading

V

Bangladesh Filmmaker Abu Shahed Emon’s Busan Fund Winner ‘A Foolish Man’ Moves Forward With Taiwan Co-Production Deal (EXCLUSIVE)

V

‘Twilight of the Warriors’ Director Soi Cheang Backs ‘Wake Me Up When the Mourning Ends’ at Busan’s Asian Project Market

V

Taiwan Unveils Animation Expansion Push at Busan Market With Two Major Anthologies (EXCLUSIVE)

V

Elaine Merk Binder, One of the Last Surviving Munchkins from ‘The Wizard of Oz’, Dies at 94

V

Cambodia’s Anti-Archive Unveils Slate of Local and International Co-Productions at Busan Market (EXCLUSIVE)

V

Vampire Weekend Finds New Textures in Old Favorites During Intimate, Career-Spanning Set: Concert Review

V

Marlon Wayans Defends New Movie ‘Him’ From Bad Reviews: ‘Some Movies Are Ahead of the Curve’

V

Reese Witherspoon Says Hollywood Will ‘Change Radically’ to Adapt to ‘Shifting’ Attention Spans: ‘Kids Don’t Go to the Movies’

V

How ‘The Restoration at Grayson Manor’ Mashes Up Soap Operas, Body Horror and Dark Humor Into a Queer Fantasia — Fantastic Fest

V

Angelina Jolie Says She ‘Loves’ but ‘Doesn’t Recognize’ Her Home Country of the U.S.: ‘Anything That Divides or Limits Personal Freedoms Is Very Dangerous’

V

‘Harry Potter’ Star Jessie Cave Says She Was Barred from Fan Convention Because She’s ‘Now Doing OnlyFans’: ‘This Was Baffling to Me’

V

Box Office: ‘Demon Slayer: Infinity Castle’ Becomes Biggest Anime Movie Ever With $555 Million, ‘Him’ and ‘Big Bold Beautiful Journey’ Misfire Overseas

V

Disney’s ‘Lilith Fair’ Doc Premiere’s Red Carpet Canceled Amid Jimmy Kimmel Suspension Controversy

V

Big Tech Is Under Pressure From Emerging AI Giants. How Will This Change Hollywood?

V

Box Office: ‘Him’ Debuts to $13.5 Million, ‘A Big Bold Beautiful Journey’ Bombs With $3.5 Million

V

Sinclair’s ABC Stations Did Not Air Charlie Kirk Special as Planned After Kimmel Suspension, Carried ‘Celebrity Family Feud’ Rerun Instead

V

‘Silence of the Looms’ Weaves Forgotten Muslin History at Busan’s Asian Project Market

V

‘Moon’ From Pradip Kurbah Brings Meghalaya Voices to Busan’s Asian Project Market

V

Queer Bahurupi Love Story ‘The Magical Men’ Heads to Busan’s Asian Project Market

V

Manila Film Center Tragedy Revisited in ‘Heaven Help Us’ at Busan’s Asian Project Market

V

Busan, San Sebastián Title ‘Shape of Momo’ Dismantles Mountain Utopia Clichés in Debut Feature

V