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Variety

Korea’s ‘Arrival of Water’ Explores Grief and Language Gaps at Busan’s Asian Project Market

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Taiwan Indigenous Film ‘The Skull Oracle’ Bows at Busan’s Asian Project Market

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Michael Mann Calls ‘Heat’ an Ensemble Film, Not Only Al Pacino Movie at Busan Masterclass, Sequel ‘Possibly Shooting in 2026’

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Asia-Europe Co-Producers Navigate Funding Gaps, Eye Cautious U.S. Market at Busan Market Panel

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‘Drishyam’ Korean Remake Sets Director (EXCLUSIVE)

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Bad Bunny Concludes Puerto Rico Residency With Emotional Marc Anthony Duet

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‘In-I In Motion’ Review: Juliette Binoche Revisits a Daunting but Freeing Artistic Experiment

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San Sebastián’s Development Program Ikusmira Berriak Sees 34% Increase in Applications in a Year of Outstanding Success

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Busan Winner Park Ri-woong’s ‘Gilddong’ Aims to Be Korea’s ‘Gladiator’ at Asian Project Market

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Christopher Nolan Elected President of Directors Guild of America

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Mohanlal to Receive India’s Top Film Honor

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JAFF Market Partners with Cinepoint to Track Indonesia’s Box Office Surge as Local Films Outpace Hollywood (EXCLUSIVE)

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Darin J. Sallam’s ‘Churching of Women’ Marks Jordan’s First Busan Asian Project Market Entry

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Tannishtha Chatterjee Battles Cancer While Completing Busan Selection ‘Full Plate’

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Busan Winner Shawkat Amin Korki’s Asian Project Market Title ‘Disorder’ Exposes Clash Between Psychiatry and Faith Healing in Kurdistan

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Shu Qi and Lee Sinje on First-Time Collaboration in Netflix’s ‘The Resurrected’: ‘We Had This Great Unspoken Chemistry’

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‘Franz’ Review: Agnieszka Holland’s Kafka Biopic Never Stands Still, but Never Finds Its Stride

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Thailand Horror Studio Fearfolks Unveils Inaugural Slate at Busan Market (EXCLUSIVE)

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Indonesia’s Matta Cinema Unveils Six-Film Slate at Busan Market (EXCLUSIVE)

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From Jordan to Cannes: 10 Jordanian Titles From a Netflix Hit to a Croisette Winner, Signalling a New Era for the Kingdom’s Cinema

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From ‘Lawrence of Arabia’ to ‘Dune’: Jordan’s Cinematic Journey

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Business Building: Jordan’s Rebate, Locations, Crews Draw Shoots From Around the World

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Sonny Curtis, Writer of ‘I Fought the Law’ and the ‘Mary Tyler Moore Show’ Theme, Dies at 88

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Lorde Strips Down, Gets Vulnerable at Chicago ‘Ultrasound’ Show: Concert Review

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‘The Voice of Hind Rajab’ and ‘Nuremberg’ Raise the Question: Is Reality the Same as Art?

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Mark Ruffalo Says Disney Stock Will ‘Go Down a Lot’ if ABC Cancels ‘Jimmy Kimmel Live!’: They Don’t ‘Want to Be the Ones That Broke America’

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Who’s Crying? Not Roger Daltrey and Pete Townshend, but Most Everyone Else During the Who’s Hollywood Bowl Farewell Shows — Concert Review

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‘Him’ Star Marlon Wayans on Sports, Success and Sacrifice: ‘Everybody Wants to Be Great, and Everyone Is Willing to Sacrifice Up to a Point’

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‘Black Rabbit’ Star Jude Law and Creators on That Shocking Final Death, Jake and Vince’s Destructive Relationship and More

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As Nexstar and Sinclair Take on Disney Over Jimmy Kimmel, the FCC Is Happy — But Will It Backfire?

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Bad Bunny’s Final Residency Concert Will Livestream From Puerto Rico Tonight: Here’s How to Watch the Show Online

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Steve Martin Diagnosed with COVID, Cancels Shows with Martin Short

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‘The 47’ Lead Eduard Fernández Upon Receiving Spain’s Prestigious National Cinematography Award: ‘Gaza is a Mirror in Which We All Appear, Whether We Like It or Not’

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Goya-Winning ‘Nocturna’ Director Adrià García Returns With First Animated Feature in Almost Two Decades in ‘The Treasure of Barracuda’

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Josh Duhamel on ‘Trying to Be Jason Statham’ in ‘London Calling,’ Having to Shoot His Next Movie Out of Los Angeles and ‘Ransom Canyon’ Season 2

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Box Office: ‘Him’ Heaves $6.4 Million Opening Day, ‘A Big Bold Beautiful Journey’ Goes Bust With Sixth Place Debut

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Bill Maher Defends ‘My Compatriot’ Jimmy Kimmel, Slams ABC and Recalls Getting Fired by the Network: ‘ABC Stands for “Always Be Caving”‘

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Guillermo del Toro and Yeon Sang-ho Connect Over Monsters, Animation, and Creative Process at Busan

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Xin Zhilei Talks Venice Best Actress Win, ‘The Sun Rises on Us All’ Ahead of Busan Premiere: ‘The Character That I Had Always Longed for’

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‘Kpop Demon Hunters’ Creator Maggie Kang Names Her Favorite Character and Reveals How She Injected Korean Culture Into Netflix Hit at Busan: ‘We’re All Excited for the Possibilities of More Stories’

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Juliette Binoche on Her Directorial Debut ‘In-I In Motion,’ Revisiting Her Daunting Experience Making a Bold Dance Show With Akram Khan: ‘I Felt Like I Wasn’t Going to Survive’

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Aleksi Salmenperä’s ‘Father’s Day,’ About Real-Life ‘Man With a Tragic Past,’ Reveals First-Look as Tekele Productions Joins Forces With Fragile Ego Films (EXCLUSIVE)

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‘Good News’ Review: A Sharp Political Farce From the Director of ‘Kill Boksoon’ Follows an Unplanned Detour From Tokyo to Pyongyang

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Getting to Know Daniel Domenjó, the New Movistar Plus+ CEO

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Spain’s Small Screen Operators like Movistar Plus+ Drive Much of the Local Features Business

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Director Jose Alayón Unpacks San Sebastián New Directors Title ‘Dance of the Living’

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Busan Title ‘Don’t Tell Mother’ Director Anoop Lokkur Draws From Personal Experience in Debut Feature

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‘Drive My Car’ Star Nishijima Hidetoshi’s Busan, Golden Horse Title ‘Dear Stranger’ Unveils International Trailer (EXCLUSIVE)

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San Sebastian, Busan Title ‘Sai: Disaster’ Boarded by Bitters End (EXCLUSIVE)

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New Projects by Fernando Eimbcke, Jonas Bak and León & Cociña Amongst San Sebastián WIP Lineup

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