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Wed Aug 6
Venice Film Festival Takeaways: Politics Take Spotlight, Oscar Buzz and Apocalyptic Weather
22h
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Box Office: ‘The Conjuring: Last Rites’ Makes Franchise-Best $8.5 Million in Previews, Biggest for a Horror Movie This Year
22h
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Venice Days’ Top Prize Goes to Iranian Director Amir Azizi’s Love Letter to Tehran ‘Inside Amir’
23h
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James McAvoy on the Pills, Thrills and Bellyaches Behind Directorial Debut ‘California Schemin’: ‘Definitely One of the Most Stressful Things I’ve Ever Done’
23h
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Macaulay Culkin Says John Candy Noticed His Dad Was a ‘Monster’ During ‘Uncle Buck’ Filming, So Candy Kept Checking In: ‘You Doing Good? Everything’s Alright?’
23h
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Indigenous Canadian Filmmakers Tap Into Community Lore, Talent in a Record Eight Features at Toronto’s 50th Edition
23h
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Theo James and Aaron Taylor-Johnson Ignite David Mackenzie’s Thriller ‘Fuze’: ‘It’s Like a Heist Film Made by the Ramones’
23h
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Mary-Louise Parker, Mia Rodgers and ‘Better Man’ Star Jonno Davies Join ‘Young Washington’ Biopic as First Look Revealed (EXCLUSIVE)
23h
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Variety Alum Gary Levin to Retire After 28 Years With USA Today Steering TV Coverage
23h
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John Malone, Major Shareholder in CNN Parent Company, Reiterates Complaint Network Has ‘Embedded’ Liberal Bias: ‘Like How an Awful Lot of Us White Folks Say We’re Not Biased About Blacks’
23h
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‘Bravo Bene!’ Review: An Over-Extended Italian Industry In-Joke
23h
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TIFF: 15 Buzzy Films From Chris Evans, Angelina Jolie, Michaela Coel and More That Have Buyers Circling
1d
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Spain’s Latido Films Snaps Up Dominican Family Drama ‘Pérez Rodríguez,’ Market Debuts at Toronto (EXCLUSIVE)
1d
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‘Ida’ Star Agata Trzebuchowska Talks Directing Incest Horror ‘Ties’ and ‘This Is No Place for You,’ Debuts First-Look Clip (EXCLUSIVE)
1d
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Leo Woodall on Finding His Inner Musician and Working With Dustin Hoffman in Thriller ‘Tuner’: ‘You Don’t Want to Be S— for Someone Like Him’
1d
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Filmax Boards Bruno Martín’s Debut Thriller ‘Luger’(EXCLUSIVE)
1d
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‘Die My Love’ Trailer: Jennifer Lawrence and Robert Pattinson Play a Couple Falling Into Psychosis in Lynne Ramsay’s Cannes Favorite
1d
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Tim Burton’s ‘Nightmare Before Christmas’ Gets Playfully Sleek Gap Collection Ahead of Halloween
1d
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‘There’s Something About Mary’ Director Bobby Farrelly Hopes to Revive the R-Rated Comedy With ‘Driver’s Ed’: ‘People Need a Good Laugh’
1d
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Korea’s Yoon Ga-eun Talks Third-Person Storytelling Shift in Toronto Film ‘The World of Love’: ‘I Feel More Like a Part of the Audience’
1d
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Alejandro Amenábar Unpacks Historical Adventure ‘The Captive’
1d
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Cato Kusters’ ‘Julian’ Tells the Story of the Global State of Same-Sex Marriage Through the Eyes of One Couple — Watch Trailer
1d
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How to Watch the 2025 VMAs Live Online
1d
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San Sebastian Festival Slams Benjamin Netanyahu Israeli Government over Genocide in Gaza, as It Announces J.A. Bayona Lead Jury
1d
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Marco Bellocchio Sets Biopic of Charismatic Auto Executive Sergio Marchionne Who Saved Fiat and Chrysler (EXCLUSIVE)
1d
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Lee Hong-chi’s Venice Title ‘A Dance in Vain’ Acquired by Minerva Pictures for Italy (EXCLUSIVE)
1d
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True Crime Gets Fresh Angles as FilmRise Expands Portfolio With International Co-Productions
1d
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Piers Morgan Returns to TV for ‘Uncensored’ Highlights Show on Paramount U.K.’s Channel 5
1d
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Balkan Cinema Surges Into Fall Festivals After Banner Year for Filmmakers From Southeast Europe
1d
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Vanessa Paradis, M83 Reteam With ‘Knife + Heart’ Director Yann Gonzalez for Macabre Thriller ‘I’ll Forget Your Name’
1d
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Ajay Devgn Unveils Lens Vault Studios With Danish Devgn (EXCLUSIVE)
1d
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Unifrance Rendez-Vous Le Havre Takeaways From Its Big Series, U.S. Market Implosion and How Measuring Streamer Audiences Is Getting Slightly Easier
1d
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Justin Bieber Releases ‘Swag II’ Featuring Tems, Bakar and Hurricane Chris
1d
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Warner Music India Partners With Renzu Music to Amplify Kashmir’s Musical Voices (EXCLUSIVE)
1d
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Cambodia Submits Horror Thriller ‘Tenement’ as Oscar Entry
1d
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‘Maddie’s Secret’ Review: John Early Tests the Limits of Good Taste as a Food Influencer With an Eating Disorder
1d
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‘Dexter: Resurrection’ Finale Recap: Who Is the New York Ripper?
1d
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Ryan Reynolds’ ‘John Candy: I Like Me’ Opens Toronto Film Festival With Nostalgia, Laughs and Lots of Canadian Pride
1d
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‘John Candy: I Like Me’ Review: Toronto Opens With an Overly Affectionate Homage to a Hometown Comedy Hero
1d
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LISTEN: Michael Lewis Revisits ‘The Big Short’ for Pushkin Industries’ Fall Slate; Jem Aswad Goes Inside David Byrne’s Brain
1d
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Harold Matzner, Philanthropist and Chairman of Palm Springs International Film Festival, Dies at 88
1d
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‘Star Trek: Strange New Worlds’ Star Melissa Navia’s Spotlight Episode Is So Intense, She Was Told She Could ‘Shoot a Marvel Film After’ It
1d
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Kurt Russell Officially Joins ‘Yellowstone’ Spinoff ‘The Madison’
1d
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Did Dunder Mifflin Shut Down? How ‘The Paper’ Explains the Fate of ‘The Office’ Business
1d
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Tracy Morgan Paramount+ Comedy Series ‘Crutch’ Sets Release Date, ‘Neighborhood’ Crossover
1d
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‘The Choral’ Star Ralph Fiennes on Learning to Conducting From Cate Blanchett’s ‘Tár’ Teacher and Joining the ‘Hunger Games’ Franchise
1d
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‘FBI’ Offshoot ‘CIA’ Casts ‘Chicago Med’ Alum Nick Gehlfuss, Michael Michele Opposite Tom Ellis
1d
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Tom Holland Is Using the Internet to ‘Understand What Fans Want’ to See in ‘Spider-Man: Brand New Day’: ‘That’s Been My Driving Force in Pitch Meetings’
1d
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Gwendoline Christie on Her Spectral Return in ‘Wednesday’ Season 2: ‘God, I Always Wanted to Play a Ghost’
1d
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Dallas Cowboys vs. Philadelphia Eagles: How to Watch the NFL Kickoff Game Live Online Without Cable for Free
1d
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