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Variety

Miley Cyrus Reveals ‘Something Beautiful’ Track List, Featuring Naomi Campbell and Brittany Howard

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Ventana Sur Returns to Buenos Aires for 17th Edition

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‘Maid’ Creator Molly Smith Metzler Takes on Class in America Once Again With ‘Sirens’ as She Renews Netflix Deal (EXCLUSIVE)

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Sleep Token Joins Hard Rock Resurgence as ‘Even in Arcadia’ Debuts at No. 1 on Albums Chart

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Denzel Washington Gets Surprise Honorary Palme d’Or at Cannes During Spike Lee’s ‘Highest 2 Lowest’ Premiere

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Diddy Trial: Dawn Richard Faces Tough Cross-Examination as Sean Combs’ Lawyer Reveals Inconsistencies in Her Testimony

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Topic Studios’ Ryan Heller Returns to Cannes with Open Marriage Comedy ‘Splitsville’ starring Dakota Johnson

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‘Iyanu’ Renewed for Season 2 at Cartoon Network and HBO Max, Alongside Two New Feature Spin-Offs (EXCLUSIVE)

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Sam’s Club Has One of the Best Spring Sales We’ve Seen This Year: Save on Dyson Vacuums, Samsung TVs, Dolby Atmos Soundbars and More

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New York Music Month 2025 Announces Full Schedule

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FKA Twigs In Talks to Star as Josephine Baker in Studiocanal’s Biopic From ‘Cuties’ Director Maimouna Doucouré

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Saudi Arabia’s Cultural Development Fund Charts a New Path for Film Sector Financing

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Lin Chi-Ling Launches Award for Women-Focused Projects at Taiwan Creative Content Fest

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Billie Eilish Extends ‘Hit Me Hard and Soft’ Tour With New Dates in Japan and the United States

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Nicole Kidman Pushes Back on Industry Ageism at Kering Women in Motion Gala in Cannes: ‘Invest in Us and Believe in Us Because Our Voices Are So Important’

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Netflix Gets Serious About Kids Gaming With ‘Peppa Pig,’ ‘Sesame Street’ and Big Plans for Original IP

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Marie Kreutzer’s ‘Gentle Monster’ Wins ArteKino Prize at Cannes Investors Circle

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Trump Demands ‘Major Investigations’ Into Bruce Springsteen, Beyoncé, Bono and Oprah, Repeating Baseless Rumors Superstars Were Paid Off to Support Kamala Harris

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Tom Cruise Says ‘I Don’t Want to Be’ the Last Movie Star: ‘There’s So Many Other Talented Actors’ Like Michael B. Jordan. ‘I Want to See Them Crush It’

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Gullane+ Nabs Distribution Rights to Cannes Classic Doc ‘Para Vigo Me Voy’ About Legendary Brazilian Filmmaker Cacá Diegues

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Director of Julian Assange Film ‘The Six Billion Dollar Man’ Wins Golden Globe Prize for Documentary

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Hong Kong Cinema Makes Splash at Cannes With Industry Push

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Soundgarden’s Ben Shepherd Hints at Unreleased Album in Chris Cornell Tribute Post

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Lesley Stahl, Scott Jennings Join PBS Tense News-Panel Series ‘Breaking the Deadlock’

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CAA Signs Breakaway Ahead of Music Festival’s International Expansion (EXCLUSIVE)

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‘Thanksgiving’ Star Nell Verlaque Says Sequel Will Film This Year, Has Asked Eli Roth to Be ‘Tortured’ and ‘Covered in Blood’ in Movie

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Penélope Cruz to Star in Los Javis’ ‘La Bola Negra,’ Acquired for Global Sales by Goodfellas

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BBC Studios Restructures With Major Unscripted Consolidation

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CBS News Chief Wendy McMahon Steps Down, Citing Conflicts With Paramount

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‘History of Sound’ Director Oliver Hermanus on Paul Mescal and Josh O’Connor’s Deep Romance, Gay Sex Scene Discourse and His Alexander McQueen Biopic

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German Works by Fatih Akin, Mascha Schilinski, Christian Petzold Unspool in Cannes, Animation Set for Major Market Showcase

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Warner Bros. Taps Legendary’s Sirena Liu to Head China Theatrical Ops

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Taiwan YA Content Gets Boost as PTS XS, Third Culture, S11 Launch Drama Lab (EXCLUSIVE)

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‘The Good Life’ Trailer: Mike Birbiglia Muses on Parents and Pancakes in Netflix Special (EXCLUSIVE)

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Netflix Picks Up ‘Sesame Street’ Worldwide Streaming Rights After Max Deal Ends

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MUV Capital, Retrato Filmes Set Trailblazing Partnership for Distribution in Brazil, Latin America (EXCLUSIVE)

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Vicky Krieps Has Yet to Recover From Cannes Custody Drama ‘Love Me Tender’: ‘This Film Pushed Me to My Limit’

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‘Urchin’ Review: Harris Dickinson’s Fine Directorial Debut Bridges Social Realism and Surrealism

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Hallmark’s ‘Holiday Touchdown: A Bills Love Story’ Casts Holland Roden, Matthew Daddario, Tony Danza and More (EXCLUSIVE)

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‘Slauson Rec’ Review: A Documentary About Shia LaBeouf’s Acting Class — and His Anger Issues — Is More Appalling Than Fascinating

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Madrid’s ECAM Forum Expands International Scope With 23 Titles for 2025 Edition

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Wes Anderson Mocks Trump’s Movie Tariffs at Cannes: ‘Can You Hold Up the Movie in Customs? It Doesn’t Ship That Way’

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Gary Lineker Will Depart Sooner Than Planned After Antisemitism Controversy, BBC Confirms

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Wes Anderson Powers Satyajit Ray’s ‘Aranyer Din Ratri’ Rescue for Cannes Classics

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Hong Kong Remake of Richard Linklater’s ‘Tape’ Secures U.K. Distribution, Sets Raindance Bow (EXCLUSIVE)

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BrLab Unveils New Dates, Co-Pro Forum and Regional Spread Ahead of 15th Anniversary Edition (EXCLUSIVE)

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Dakota Johnson Says Studio Bosses Don’t Take Risks and ‘It’s a Constant Fight,’ Recalls Being Shocked at Her Movie Premieres: ‘That Is Not What I Thought We Were Making’

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Female Film Club Launches Global Short-Film Fund at Cannes (EXCLUSIVE)

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Richard Linklater on What He Told Tarantino at the ‘Nouvelle Vague’ Premiere and Why the Indie Film Revolution Faded: ‘Unless It’s Got Money All Over It, Nobody Gives a S—’

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Rockets to No. 1 at Korea Box Office

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