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Variety

New Jax Film Studios in Ryadh Unveiled at Cannes by Saudi Film Commission

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Eli Roth’s The Horror Section Inks Deal With Veronica Ferres’ Construction Film, Sets German-Language Remake of ‘Knock Knock’ (EXCLUSIVE)

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Boxing Drama ‘Heavyweight’ Opens Raindance, Art School Tale ‘The Academy’ Closes 33rd Edition

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Sundance-Winning ‘Cactus Pears’ Director Rohan Kanawade Signs With Cinetic Media (EXCLUSIVE)

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China Box Office: ‘The Dumpling Queen’ Holds No. 1 for Third Straight Weekend, ‘Ne Zha 2’ Going Strong

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Haifaa Al Mansour on How Film Alula Will ‘Invest in the Journey’ of Producers and Saudi Arabia’s Dramatic Film Industry Changes

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Les Studios de Paris, Where ‘Jackie’ and ‘The Walking Dead: Daryl Dixon’ Filmed, Positions Itself as One Stop Shop for International Productions

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Polish Talents Continue to Rise as Industry Eyes Overhaul to Incentive Scheme: ‘We Need a System Equal to the Needs of Poland’

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Toxic Masculinity Soccer Tale ‘The Boot Room’ Acquired by U.K.’s Mutiny Films (EXCLUSIVE)

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‘The President’s Cake’ Review: Hasan Hadi’s Warm and Heart-Tugging Tale Sends Dutiful Kids on an Odyssey in Saddam Hussein’s Iraq

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Draws Standing Ovation at New York Premiere: ‘It’s a Great Honor and Privilege’

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John Oliver Compares HBO Max/Max Branding Fiasco to Trump’s Renaming the Gulf of Mexico

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‘The Last of Us’ Guest Star Joe Pantoliano on Filming That Heartbreaking Final Scene and Forgetting Pedro Pascal

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‘The Last of Us’ Creator Neil Druckmann on Directing Pedro Pascal’s Last Episode, That Pearl Jam Song and Catherine O’Hara’s ‘Beautiful’ Improvisation

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‘S.W.A.T.’ Lives: Shemar Moore to Star in Spinoff ‘S.W.A.T. Exiles,’ Ordered to Series by Sony With Showrunner Jason Ning

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Maren Morris on Addressing Divorce, Religion and a Single Woman’s Freedom in Pop-Leaning ‘Dreamsicle’ Album: ‘It’s Taken Me Years to Live Up to the Boldness of My Own Music’

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SNL Film Lines Up Cast for Soccer Comedy ‘Olde Boys’ as Screenbound Launches Sales (EXCLUSIVE)

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Guillermo del Toro Teases ‘Incredibly Emotional’ ‘Frankenstein’ at Cannes: ‘I’m Not Doing a Horror Movie’

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Shia LaBeouf’s Theater Company From Hell: Cannes Doc Reveals Actor’s Misconduct With Students and Hopes for Redemption

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Joe Biden Diagnosed With Prostate Cancer

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Tom Cruise Says He’s ‘Working On’ Potential Sequels for ‘Top Gun: Maverick’ and ‘Days of Thunder’: ‘We’re Thinking and Talking About Many Different Stories’

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Cannes Film Festival President Iris Knobloch Awarded Commander of the Order of Arts and Letters by the French Culture Minister

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Wes Anderson Delights Cannes as ‘Phoenician Scheme’ Lands 6.5-Minute Standing Ovation, Leading Lady Mia Threapleton Overcome With Tears

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The Who Sacks Zak Starkey for a Second Time, in Advance of Farewell Tour: ‘I Was Fired Two Weeks After Reinstatement,’ Drummer Says

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‘The Phoenician Scheme’ Review: Wes Anderson Weighs In on the Art of the Deal and Assorted Other Funny Business

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Mubi Buys Jennifer Lawrence and Robert Pattinson’s ‘Die My Love’ in $24 Million Cannes Deal

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‘Peak Everything’ Review: Absurdist Quebecois Comedy Tries to Do Too Many Things At Once

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Sarah Silverman Says She Was ‘F–ing Ignorant’ to Think She Could ‘Say the N-Word’ During Stand-Up Because She Was ‘Liberal’: ‘Looking Back, My Intentions Were Always Good’

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Wes Anderson Says Gene Hackman Was ‘Furious’ Over ‘Royal Tenenbaums’ Pay and ‘Left Without Saying Goodbye’; They Never Spoke After Film’s Release: ‘We Had Friction’

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‘Final Destination Bloodlines’ Surpasses $100 Million Globally in Opening Weekend

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‘The Secret Agent’ Review: Wagner Moura Is Marked for Death in Kleber Mendonça Filho’s Terrific ’70s Thriller

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Box Office: ‘Final Destination Bloodlines’ Scares Up $51 Million Debut, The Weeknd’s ‘Hurry Up Tomorrow’ Misfires With $3.3 Million

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‘Overcompensating’ Stars on the Show’s ‘Nostalgic World of Americana College Hell’ and Plans for Potential Season 2: ‘More Unhinged and Insane’

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Ten Years After ‘Kung Fury’ Rocked Cannes, Director David Sandberg Unwraps ‘Heartbreaking’ Legal Chaos That Left Feature-Length Sequel in Limbo

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Nicole Kidman Has Now Worked With 27 Women Directors in 8 Years; She Urges ‘Financial Mentors’ to Invest in Unknown Female Filmmakers and ‘Take a Risk’

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HBO Max Snags Rights to Horror Hit ‘1978’ as Black Mandala Closes Multiple Territory Deals (EXCLUSIVE)

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Michael Cera on Finally Working With Wes Anderson and His ‘Phoenician Scheme’ Character’s ‘Very Silly’ Accent: ‘It Took All of Us a Minute to Feel Normal About It’

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Lav Diaz Opens Up About Rare Acting Role in Psychological Horror ‘The Sacrifice,’ First Look Unveiled (EXCLUSIVE)

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Paul Mescal, Diane Kruger and More Toast to Rising Talent at Variety and Golden Globes’ Cannes Breakthrough Artist Party

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‘Anatomy of a Fall’ Producer Marie-Ange Luciani Sets Next Projects by Alain Guiraudie, Monia Chokri, Hélène Rosselet-Ruiz, Jean-Gabriel Periot (EXCLUSIVE)

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Alec Baldwin, Heather Graham, Simon Baker Among Hollywood Stars Heading to Filming Italy Sardegna

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Carla Simón Uncovers a Galician Family’s Skeletons in the Semi-Autobiographical ‘Romería’

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Kinky Sex, BDSM Alexander Skarsgard and Gimp Masks: ‘Pillion’ Seduces Cannes With 7-Minute Standing Ovation

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‘Pillion’ Review: Edgy Queer Romance Stars Alexander Skarsgård as a Sexy Biker and Harry Melling as His Budding Submissive

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Richard Linklater on Trump’s Film Tariff Threat: ‘That’s Not Going to Happen, Right? That Guy Changes His Mind Like 50 Times in One Day’

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Jennifer Lawrence Gets Honest About Motherhood and Postpartum at Cannes: ‘It’s Extremely Isolating’ and ‘You Feel Like an Alien’

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Lee Sang-il, Stars Detail Grueling Kabuki Journey on Cannes Film ‘Kokuho’: ‘I Could Not Hear Anything Except My Own Heartbeats and Breath’

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Italy’s Cinecittà Studios Veers Towards Digital Age With Large LED Wall as New Soundstage Prepares to Host Mel Gibson’s ‘Passion of the Christ’ Sequel

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1989 Chile World Cup Qualifier Scandal Spotlighted in ‘Simulacro’ (EXCLUSIVE)

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Next Gen World Sales Prize at Iberseries Platino Industria Renewed by Egeda, FilmSharks (EXCLUSIVE)

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