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Variety

Biff Wiff, ‘I Think You Should Leave’ Actor, Dies

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Maya Hawke Says Some Producers Cast Based on Actors’ ‘Collective’ Instagram Following: ‘If You Have Over This Many Followers, You Can Get the Movie Funded’

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Charles Burnett on His Soaring Romance ‘The Annihilation of Fish,’ Finally Released After 25 Years in Distribution Hell

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More Than Just Films, Catalonia’s Next-Gen Producers, New Tech Startups and Buzzy TV Series Reach Every Corner of This Year’s Berlinale

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Jacob Elordi on Why Losing Weight to Play a Prisoner of War in ‘Narrow Road to the Deep North’ ‘Wasn’t Torture’: ‘There Was a Peace That Came Over All of Us’

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Why Some Filmmakers Think Oscars Doc Voters Should ‘Suck It’ for Ignoring Celebrity Subjects

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Paramount Settlement With Trump Would Set ‘Dangerous Precedent,’ But Likely Wouldn’t Draw Bribery Charge, Experts Say

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‘Yellowjackets’ Star Jenna Burgess Explains That Shocking Episode 2 Ending: ‘There’s a Brutal Side to Shauna That Melissa Is Very Attracted To’

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‘Mickey 17’ Review: A Dopey Robert Pattinson Is Dying to Make You Laugh in ‘Parasite’ Director’s Disappointing Follow-up

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‘Love Is Blind’ Producers Pay Homage to ‘Dawson’s Creek’ With New High School Reality Series ‘Sweethearts’

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‘Armand’ Director Halfdan Ullmann Tøndel on His ‘Fantastical’ School Drama Starring Renate Reinsve: ‘Everybody’s Starting to Lose Their Sense of Reality’

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Why ’Ari’ Helmer Léonor Serraille Thinks a Low Profile Serves Her Best as Director: ‘You Have to Remain at Eye Level, and You Have to Blend in’

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Leo Woodall on Being Bridget Jones’ New Man in ‘Mad About the Boy,’ Adjusting to Fame and Wanting More Action Roles: ‘I’d Do Bond’

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Ben Whishaw’s Banner Year: The ‘Black Doves’ and ‘Peter Hujar’s Day’ Star on Refusing to Be Pigeonholed and Playing Characters Whose Sexuality Isn’t Their ‘Defining Characteristic’

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Studio Babelsberg Throws Star-Studded Berlinale Bash

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Defying Gravity and Genres: Oscar-Nominated Editors Reflect on Their Creative Journeys

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Box Office: ‘Captain America: Brave New World’ Inaugurates a $40 Million Opening Day

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Jessica Chastain Says Her Mexico-U.S. Immigration Film ‘Dreams’ Is ‘Incredibly Political,’ but ‘I Am a Hopeful Person’: I’m Not Going to Give Up on My Country’

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‘Ari’ Review: An Intimate, Energizing Character Study of a Teacher With a Lot to Learn

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Berlin Film Festival Day 3: What You Need to Know

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Robert Pattinson Just Realized That He Based His ‘Mickey 17’ Accent Off Steve Buscemi’s ‘Fargo’ Character: ‘I Kind of Did It by Accident’

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Carla Simón, Oliver Laxe, David Trueba Titles Lead List of Catalan Films Coming in 2025

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‘I’m Still Here’ Producer RT Features Joins Gabe Klinger’s Wine World Dramedy ‘Isabel,’ Urban Sales Brings Film to EFM (EXCLUSIVE)

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‘Fury,’ ‘The Virgin of the Quarry Lake’ and ‘The Goldsmith’s Secret’ Headline Slate of Catalan Films at the Berlinale

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Isaac Hernández on Bringing Ballet to Berlin With ‘Dreams,’ Steamy Scenes With Jessica Chastain and the Film’s Timely Message: ‘Immigrants Are Complex Human Beings’

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‘A Letter to David’ Director Tom Shoval and Producer Nancy Spielberg on Transcending ‘Carnage’ in Their Homage to Hamas Hostage David Cunio

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Nike Drops New Air Jordan 1 Retro ‘Black Toe’ Sneakers: Here’s Where to Get A Pair Online

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‘Köln 75’ Director Ido Fluk on 18-Year-Old Vera Brandes Who Organized Keith Jarrett’s ‘The Koln Concert’ – Clip (EXCLUSIVE)

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Rebecca Lenkiewicz on Moving From Writing to Directing With ‘Hot Milk’: ‘I’d Been Feeling a Sadness in Giving Scripts Away’

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Berlin Competition Entry ‘The Blue Trail’ Reveals First Clip, Gabriel Mascaro Talks Ageism in Cinema: ‘Elderly Bodies Are Tied to a Nostalgia for Life’ (EXCLUSIVE)

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Oscar-Shortlisted ‘Waves,’ Sundance Hit ‘DJ Ahmet’ Among Czech Buzz Titles at EFM

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Czech Filmmakers Hope to Ride ‘Wave’ of New Audiovisual Law Toward More Breakout Hits

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Madeleine Hunt-Ehrlich’s ‘Ballad of Suzanne Césaire’ Follow-Up Joins Inaugural Slate From ‘Pan-African Film Studio’ Yetu (Un)Limited (EXCLUSIVE)

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‘SNL50: Homecoming Concert’ Most Memorable Moments: Lady Gaga, ‘Post Nirvana,’ Jack White, Cher, Will Ferrell, Robyn and More

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‘Failure!’ Director Alex Kahuam Launches L.A.-Based Kahuam Films as He Finishes Latest Pic, ‘The Remedy’ (EXCLUSIVE)

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Les Films d’Ici, France Télévisions Board ‘Who We Are’ (EXCLUSIVE)

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Hungary’s Historic NFI Studios Get a Dramatic Makeover in Booming Budapest

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Hungary’s Filmmakers See Local Box Office Success With Genre Pics and Romantic Comedies

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Sundance Prizewinner Lemohang Mosese Muses on Exile and Belonging in Berlinale Premiere ‘Ancestral Visions of the Future’

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Argentine Animated Adventure ‘Dalia and the Red Book’ Scooped by Vision Films in North America (EXCLUSIVE)

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How ‘Islands’ Producer Augenschein Segued From Foreign-Language Arthouse Fare to English-Language Elevated Genre Movies

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From ‘The Substance’ to ‘Titane’ Genre Films Grab Solid Ground at Top Festivals and at the Box Office

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Cannes Short Film Winner Vasilis Kekatos Makes Feature Debut With Spirited, Coming-of-Age Berlinale Premiere ‘Our Wildest Days’

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Yao Chen’s Bad Rabbit Pictures Plots ‘Fleabag’-Style Premium Short Drama About Chinese Sea Goddess (EXCLUSIVE)

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Director Valentine Cadic Used the Olympics’ Crowds, Athletes and Fan Zones While Shooting ‘That Summer in Paris’: ‘I Like to Mix Make Believe With Real Life’

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Will Ferrell and Ana Gasteyer Bring Back The Culps to Sing ‘Not Like Us’ and Roast Kendrick Lamar-Drake Beef at ‘SNL50’: ‘Maybe You Two Can Hug It Out’

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Lady Gaga Sings ‘Dick in a Box’ With Andy Samberg Before Wild Lonely Island Medley at ‘SNL50’ Concert

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‘Yellowjackets’ Bosses on the Parallels Between Pit Girl and [SPOILER], Hitting Reset With Season 3 and That Major Time Jump

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‘Captain America: Brave New World’ Post-Credits Scene Explained: What’s Next for Cap Ahead of ‘Avengers: Doomsday’?

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Bill Murray Reprises ‘Nick the Lounge Singer’ With Maya Rudolph, Cecily Strong and Ana Gasteyer for ‘SNL50’

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