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Sun Feb 15
Sat Feb 14
Disney Unveils Latest Nike Collab, With Co-Branded Pieces for the Golf Course, Theme Park and Beyond
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Warner Bros. Discovery Eyes Renewed Discussions With Paramount Skydance After Latest Bid
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Spirit Awards Full Winners List: ‘Train Dreams,’ ‘Adolescence’ Among Top Honored Titles
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‘Sinners’ Star Wunmi Mosaku Has ‘Not Been Able to Celebrate’ Her Oscar Nomination Because of the ‘Killings of Renée Good and Alex Pretti by ICE’: How Could I ‘Enjoy the Moment?’
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‘Dust’ Review: A Stylish Saga of Friendship and Fraud That Slowly Plateaus
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J. Cole Debuts at No. 1 With Best First Week for an R&B/Hip-Hop Album in Nearly a Year; Bad Bunny Hits a New Sales Peak After Super Bowl
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Producer David Kaplan Talks Risking It All on ‘Josephine’ and Developing ‘It Follows’ Sequel: ‘It Takes a Village of People Who Believe’
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‘Pulp Fiction’ Writer Says It Was ‘Impossible’ to Get His Movies Made Until He Started an AI Production Company: ‘Just Put AI in Front of It and All of a Sudden You’re in Production on Three Features’
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The Epstein Files Have Become The Ultimate Disturbing Horror Movie. No Wonder We Can’t Look Away
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How to Watch NBA All-Star Game 2026 Live Online Without Cable for Free
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‘Josephine’ Producer David Kaplan Sets Gabriel Nussbaum’s ‘Triumph of the Will’ With ‘Unorthodox’ Star Shira Haas (EXCLUSIVE)
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Why the Sidelining of Politics in Berlin Is Causing a Stir: ‘If an Artist Is Afraid to Speak Up’ About ‘Fascism, They Shouldn’t Be Coming’
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‘Wuthering Heights’ Dominates Global Box Office With $82 Million, ‘GOAT’ Scores $47.6 Million Worldwide
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Chile’s ‘The House of the Spirits,’ ‘Raza Brava’ and ’Hidden Island’ Lead TV Series Contingent at Berlinale
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‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege
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Locarno Pro to Spotlight Uruguay in First Look WIP Initiative
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‘Dark Winds’ Goes Hollywood: How Season 4 Pays Tribute to Robert Redford and Rekindles Hope for Joe and Emma as It Travels to L.A.
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Tom Morello on Co-Directing ‘The Ballad of Judas Priest’: ‘What a Time to Be Alive Where You Can Both Make a Documentary About Your Favorite Band and Fight Fascism’
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Box Office: ‘Wuthering Heights’ Leads With $40 Million Over Holiday Weekend, ‘Crime 101’ Stumbles With $17.7 Million Against $90 Million Budget
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‘Salvation’ Review: The Roots of Violence Are Explored in Emin Alper’s Tense, Atmosphere Study of a Massacre
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Projeto Paradiso to Host National Talent Network Meeting in Burgeoning Brazilian Film Capital of Recife, Celebrates Strong Berlin Presence (EXCLUSIVE)
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Emin Alper on Berlin Drama ‘Salvation,’ Which References the Dynamics of Contemporary ‘Mass Murders, Massacres, Genocides and Wars’
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‘The Idiot(s),’ Starring Aimee Lou Wood, Johnny Flynn, Releases First Look Image
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Johnny Knoxville, Jason Flemyng Toplining Thrillers From Vienna-Based Pont Pictures (EXCLUSIVE)
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Historic Sites, Iconic Cities, Diverse Landscapes, Top Facilities Continue to Make Austria a Hot Location Destination Despite Funding Cuts
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Gael Garcia Bernal, Diego Luna, Alice Diop and More Set for Doha Film Institute Qumra Masters Lineup
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Berlin Selection ‘Light Pillar’ Unveils New Clip (EXCLUSIVE)
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Taiwan Prison Drama ‘Sunshine Women’s Choir’ Becomes Highest-Grossing Local Film Ever
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German Animation Showcase at EFM Pitch Sessions Celebrates Kids Fare, Teases Bovine-Pantherine Love, New Struwwelpeter, Life as a Kalashnikov
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Madrid Launches Berlin Networking Event, Aims to Strengthen International Positioning as Production Hub
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Director Hanna Bergholm and Star Seidi Haarla Talk Berlinale Shocker ‘Nightborn’: ‘We Were Dead Serious While Making It’
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Welcoming a New Life: ‘Papaya’ Debuts Trailer as Director Priscilla Kellen Talks Crafting Non-Dialogue Hope-Filled Narratives (EXCLUSIVE)
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Emma Laird on Going From ‘The Brutalist’ to ‘The Bone Temple’ and Picking Bold, Bonkers Roles: ‘I Don’t Want to Do Shakespeare, I Want to Play a Fish’
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Berlinale Issues Statement Following Political Backlash at Festival, Says Artists Should Not Be ‘Expected to Speak on Every Political Issue’
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‘Shanghai Daughter’ Director Agnis Shen Zhongmin on Blurring Fiction and Documentary in Berlin Panorama Debut
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‘Rocky the Troll,’ Produced by Team Behind Netflix Hit ‘Troll,’ Travels to Several Territories (EXCLUSIVE)
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‘Crouching Tiger’ Producer Bill Kong Brings Four Titles to Berlin’s EFM as ‘Panda’ Enters Forum
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Jackie Chan’s ‘Unexpected Family,’ Anthony Chen Competition Entry Lead Chinese Presence at Berlinale, EFM
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‘Sinners,’ ‘Frankenstein’ and ‘One Battle After Another’ Lead Make-Up Artists and Hair Stylists Awards Winners
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Horror Thriller ‘Hellcat’ Sells to Shudder for North America (EXCLUSIVE)
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Turkish Cinema’s Milestone Berlin Presence Bodes Well for Global Breakthrough Going Forward
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‘Moana’ Star Catherine Laga’aia to Lead Australian Thriller ‘Crashout’ (EXCLUSIVE)
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Mahamat-Saleh Haroun on Berlin Golden Bear Contender ‘Soumsoum’ and Why It’s His ‘Duty’ to Bring His Native Chad to the Big Screen
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Paramount Sends ByteDance Cease-and-Desist Letter Over Seedance AI Videos, Alleging Intellectual Property Infringement
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‘Filipinana’ Director Rafael Manuel on ‘White Lotus’ Comparisons, Jia Zhangke’s Influence and Making Violence Relatable
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French Romantic Comedy ‘The Doll’ About a Life-Sized Doll Coming to Life Sells to Major Markets
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Poll Surprise: Bad Bunny Comes Out Ahead of Trump When U.S. Adults Are Asked, ‘Who Better Represents America?’
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Providence Equity ‘Fully Committed’ to Supporting Wasserman Agency Amid Sale Transition
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Mexico’s Cinemex Nabs ‘Abracadaver’ (EXCLUSIVE)
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