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Variety

Kamila Andini’s ‘Four Seasons in Java’ Wins Big at Inaugural Tokyo Gap-Financing Market Awards

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‘Blood & Sweat’ Examines Japan–Finland Co-Production Realities at Tokyo Market

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Sony-Backed Jabali.ai Bows AI Game Development Platform to Democratize Creation

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Indonesian Zombie Horror ‘The Elixir’ Tops Netflix’s Global Non-English Film Chart

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‘The Captive’ Review: ‘Don Quixote’s’ Author Becomes the Hero in a Handsome Historical Fiction

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‘I Am Frankelda’ Review: Mexico’s First Stop-Motion Feature Is an Ambitious Gothic Musical

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YouTube TV Drops Disney’s ABC, ESPN and Other Networks After Two Sides Fail to Reach New Deal

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Yamada Yoji and Lee Sang-il Trade Insights on Art, Rivalry and Japan’s Film Future at Tokyo Festival

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‘Take Off’ Director Pengfei on Tokyo Competition Entry: ‘A Fable-Like Story, With a Touch of Fairy Tale’

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‘Little Bear Ridge Road’ Review: Laurie Metcalf Shines in a Flawed but Fascinating COVID Story

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Pen-ek Ratanaruang Talks Casting, ‘Last Life In The Universe’ and Miike Takashi’s ‘Punch Perm’

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Claire Danes, Ewan McGregor to Lead ‘The Spot’ at Hulu

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Sony Pictures International Eyes Live-Action Adaptations of Japanese Anime – Tokyo Market

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‘9-1-1’ Star Aisha Hinds on Hen and Athena’s Interstellar Fate and What Comes After the Four-Episode Space Epic

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