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Variety

Scotland’s DIY Filmmakers Forge Ahead as Public Funding Prioritizes Development

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Celia Imrie’s WWII Novel ‘Meet Me at Rainbow Corner’ Nabbed by Saffron Cherry Productions (EXCLUSIVE)

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MPM Premium Nabs World Sales Rights to Locarno’s Piazza Grande Entry ‘Irkalla: Gilgamesh’s Dream,’ by Iraqi Director-Producer Mohamed Al-Daradji (EXCLUSIVE)

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Sex, TikTok and Ed Wood: Radu Jude Uses All the Tricks in Rule-Breaking ‘Dracula,’ but at Least He ‘Didn’t Kill Anybody’

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Benjamin Ree, Baldvin Z, Antti J. Jokinen and Linda Hambäck Bolster New Nordic Films Pitch Slate as Full Program Is Revealed

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Jacqueline Zünd’s ‘Don’t Let the Sun’ Shines a Light on a World of Sweltering Sticky Climate Change

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Locarno’s Match Me! Captures the Sweep of Emerging Producers’ Output, From Tales of Queer Migration to Amazon Injustice and the ‘Nicest Bank Robber in History’

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Oh, Canada: Locarno’s First Look Section Welcomes ‘Queer Love Fantasy,’ Wild Desert Misadventure and Artists in Peril

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Fremantle Revenue Slips in H1 as RTL Group Ramps Up Streaming, Seals Sky Deutschland Deal

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‘Ebony and Ivory’ Review: You Thought the Song Was Rubbish? Wait’ll You See How Two Pop Music Legends Let It Be

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Greg Gutfeld Hugs Jimmy Fallon and Plugs His Game Show in Fox News Host’s First Late-Night Crossover

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‘Kidnapping of the Bride’ Director Sophia Mocorrea Preps ‘Vaca Muerta,’ Capturing a Fractured Society – in ‘Class, Origin and Generation’ (EXCLUSIVE)

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Aruba Tops Expedia’s Inaugural ‘Island Hot List’ As Most Popular Island Travel Destination for 2025

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Inside ‘Terrestrial,’ the Twisty Fantasia Crowd Pleaser That May or May Not Be an Alien Fever Dream

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‘My Mother’s Wedding’ Review: Scarlett Johansson and Sienna Miller Play Sisters in a Warm Family Dramedy

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