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Variety

Malaga Competition Contender ‘Jone, Batzuetan,’ Unpacked by Director Sara Fantova, a New Talent to Track

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Sharon Stone Claims She Was ‘Cast and Removed Unexpectedly’ From ‘Another Simple Favor’

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Malaga Festival Opening Film, Daniel Guzmán’s ‘The Redemption,’ Swooped on by Film Factory (EXCLUSIVE)

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South African Filmmakers Sound Alarm Over Rebate Crisis: ‘Everybody Is Struggling’

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‘The Makings of Curtis Mayfield’ Review: H.E.R. Directs an Irresistible Celebration of the ’70s Funk-Soul Genius

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Seth Rogen Says Sony Wouldn’t Allow Jonah Hill to Use a PlayStation in ‘Superbad’: He Can’t ‘Interact With Our Products. It’s Too Vile a Character’

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‘Corina’ Review: A Refreshingly Endearing, Surprisingly Incisive Defense of Happy Endings That Plays Like Mexican ‘Amélie’

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‘I Really Love My Husband’ Review: Unconvincing Dramedy on Marital Troubles Doesn’t Say Much About Relationships

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‘Caper’ Review: An Errant Sext Spurs an Overnight Heist in a Bad Buddy Comedy That Wastes True Chemistry

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Marc Maron Tells Bill Maher: ‘You’re a Bitch’ for Agreeing With ‘Some of the Stuff Trump Is Doing’

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‘Mickey 17’ Production Designer Explains How the Human Printer Works: ‘It Can Look a Bit Like an MRI’

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‘LifeHack’ Review: A Pulse-Pounding Screenlife Heist Film

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Julia Stiles Says Harvey Weinstein ‘Got His Hands’ on Her 2000 Rom-Com and ‘It Became Dumb’; She ‘Felt Slimy’ When Reshoots Made Her Film a Dance Scene

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Chappell Roan Releases Country Single ‘The Giver’

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‘Invincible’ Creator Robert Kirkman on That Conquest Finale Fight, Surprise ‘Walking Dead’ Reunion and Mark Fighting Satan in Unused Comic Storyline

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