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Sun Mar 9
Sat Mar 8
Ingrid Andress Talks Frankly About the National Anthem That Made Her ‘America’s Punching Bag,’ What She Learned in Rehab, and Being ‘Terrified’ Before Her Joyful Do-Over: ‘You Can’t Mess It Up Twice’
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‘We Are Storror’ Review: In Michael Bay’s Hands, the Parkour Team Comes Off Looking Like Real-World Action Heroes
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Aliens Are Real, U.S. Government Officials Have Admitted. ‘The Age of Disclosure’ Director Dan Farah Wants You to Know There’s More to the Story
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Amanda Seyfried Says Glen Powell Stopped Her Dress from ‘Falling Off’ at the 2023 Critics Choice Awards: ‘My Boobs Fell Out’
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‘The Age of Disclosure’ Review: A Documentary Claims to Offer Proof that Alien Spaceships Are Visiting Us. But Does It Really?
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Jenna Ortega Says Working with Lady Gaga on ‘Wednesday’ Season 2 Has Been ‘The Best’: ‘Definitely One of the Most Talented Individuals I’ve Ever Worked With’
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Former James Bond Pierce Brosnan Says It’s ‘A Given’ That the Next 007 Must Not Be American: I Hope Amazon ‘Handles the Work and the Character With Dignity’
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‘Forge’ Review: Jing Ai Ng Puts a Fresh Coat of Paint on a Satisfying Crime Caper
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‘Holland’ Director Mimi Cave on Working With Nicole Kidman and Keeping Audiences Guessing: ‘Hopefully, You Don’t Know Who to Believe’
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Ramy Youssef First Pitched Muslim-American Comedy ‘#1 Happy Family USA’ in 2020, Isn’t Sure It’d Get Picked Up Today: ‘Remember Happy Trump?’
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Ramy Youseff First Pitched Muslim-American Comedy ‘#1 Happy Family USA’ in 2020, Isn’t Sure It’d Get Picked Up Today: ‘Remember Happy Trump?’
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Box Office Misfire: Big-Budget ‘Mickey 17’ Stumbles With $24 Million Overseas, $53 Million Globally
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Florence Pugh Says ‘Thunderbolts*’ Is an ‘A24-Feeling Assassin Movie with Marvel Superheroes’: ‘It Ended Up Becoming This Quite Badass Indie’
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Pedro Pascal and Bella Ramsey Launch ‘The Last of Us’ Season 2, ‘Hacks’ and ‘Severance’ Stars Delight at Paleyfest LA: Celebrity Photos March 2025
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Creator Steven Knight Wants the ‘Peaky Blinders’ Movie ‘To Be in Cinemas’ So Fans Can Watch ‘All Together in One Building’
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‘O’Dessa’ Review: Sadie Sink Finds a Few Grace Notes in an Otherwise Discordant Rock Opera
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How to Watch ‘Confessions of Octomom’: Stream the Nadya Suleman Docuseries Online for Free
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‘F—toys’ Mastermind Annapurna Sriram Was Sick of Being Pigeonholed in Hollywood, So She Channeled John Waters to Make Her Gonzo Sexual Fantasia Debuting at SXSW
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Matthew McConaughey on Returning to Acting After a Six-Year Hiatus With ‘The Rivals of Amziah King’ and Why His Season of ‘True Detective’ Is the Best
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‘Mickey 17’ Leads Box Office With $19 Million But $118 Million Budget Spells Trouble
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‘The Threesome’ Review: Charming Rom-Com Chases Something More as Zoey Deutch Irons Out an Awkward Situation
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‘Free Leonard Peltier’ Filmmakers on How Recently Released Activist Continues His Fight for Indigenous Communities: ‘His Fire Is Undiminished’
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French Documentary Filmmaker Nicolas Philibert on the Need to Improvise: ‘I Plan for Something That Is Accidental’
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‘The Accountant 2’ Review: Ben Affleck’s Autistic Action Savant Makes a Winning Return in a Thriller That Improves on the First Film’s Messiness
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‘It Ends’ Review: A Brilliant, Existential Road Thriller for and by Gen Z
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‘Death of a Unicorn’ Review: Paul Rudd Kills the Wrong Magical Creature in A24’s Biting Horror Satire
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Lady Gaga Goes Full ‘Killah’ in Kinetic ‘SNL’ Performances of Her New ‘Mayhem’ Songs
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Ben Affleck Says Line Dancing in ‘The Accountant 2’ Was Like Doing Stunt Work During SXSW Premiere: ‘Tom Cruise Has Nothing on Me’
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‘SNL’ Slams Trump’s Claim ‘No President Has Changed Government Faster’: ‘Nobody Changed Airport Security Faster Than Bin Laden’
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Mike Myers’ Elon Musk Whines He’s Losing ‘100 Billion Dollars’ and Bullies Marco Rubio on ‘Saturday Night Live’
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Lady Gaga Pokes Fun at Performing With R. Kelly on Her Last ‘SNL’, ‘Joker 2’ Razzie Awards: ‘Joke’s on Them, I Love Winning Things’
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A Terrified Jenna Ortega and Psycho Killer Unicorns Make SXSW Scream With the Gory ‘Death of a Unicorn’
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‘Novocaine’ Review: An Obscure Medical Condition Turns Jack Quaid Into World’s Unlikeliest John Wick
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Al Pacino Celebrates 50th Anniversary of ‘Dog Day Afternoon’ With American Cinematheque Crowd, and Picks Surprise Favorite Roles From His Career
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‘Starman’ Review: An Outer Space Documentary That’s Out of This World
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Michael Bay’s Thrilling Yet Emotional Parkour Doc ‘We Are Storror’ Receives Howling Standing Ovation at SXSW
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