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Hyperallergic

A Visual Journey Through 150 Years of the Legal Aid Society

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Beverly Buchanan’s Architecture of Care

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On Curating Carnage

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Art Problems: How Do I Get Gallery Representation?

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How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?

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Haroutiun Galentz: The Form of Colour

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60% of Sudan’s National Museum Looted, Report Says

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Deepen Your Creative Practice at Vermont Studio Center

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Embracing Friction in the Art World

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Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”

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Pete Hegseth Goes to War With Press Photographers

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Art Movements: Look Who’s Headed to Perrotin Gallery

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Required Reading

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The Tiny Brooklyn Project Space Resisting the Gallery Machine

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A View From the Easel

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The Problem With Art Awards

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Laura Phipps Tapped to Lead Gochman Collection of Indigenous Art

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Awards Season and the Management of Cultural Power

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Lucian Freud Mastered the Art of Lostness

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Text Messages Reveal How University of North Texas Leaders Axed an Anti-ICE Show

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Remembering Pedro Friedeberg, Thaddeus Mosley, and Liliana Angulo Cortés

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Mid-Century Modernism Goes Rogue in “Chair-ish”

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Merging Craft Practices and New Media at the Museum of Craft and Design

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Art Basel Qatar's Complicity

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The Whitney Biennial Is Here

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Please, No More Disaffected White Girls

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US and Israel Strikes Damage 17th-Century Palace in Isfahan

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Over 6,000 Sign Letter Opposing Russia’s Venice Biennale Pavilion

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Don't Believe What Art Basel Qatar Is Trying to Sell You

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7 Art Books for Your March Reading List

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Epstein and Trump Portrayed as Titanic Lovers in New Anonymous Artwork

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Beer With a Painter: Hilary Harkness

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Ali Eyal’s Forever War

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Lebanon Gallerist Navigates Ongoing Israeli Airstrikes

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How a Texas Town Became an Art Project

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Lisette Model’s Silenced Jazz Pictures

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Thaddeus Mosley, Beloved Self-Taught Sculptor, Dies at 99

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Amoako Boafo Takes His Studio on the Road

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Ali Eyal Gives Testimony

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Chronicles of a Needless War

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Biennial Hangover

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10 Art Shows to See in Los Angeles This March

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Israel-US Strikes Damage Tehran’s Historic Golestan Palace

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The Political Potential of the Chinatown Storefront

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“Jeffrey Epstein Walk of Shame” Pops Up in DC

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Petrit Halilaj’s Opera of Kosovan Memory and Myth

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Forget About Getting Your AI Art Copyrighted

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Carol Bove’s Metal Textiles

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An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

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