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Hyperallergic

Squeak Carnwath Paints Her Own Path

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Mitchell Johnson’s Personal Color at Galerie Mercier in Paris

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Epstein in the Shadow of de Sade

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Art Movements: Marilyn Minter Wins Again

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Marigold Santos Takes Root

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Keeping a Critical Eye on the Art World With Damien Davis

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The Marquis de Sade of the Upper East Side

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Brooklyn Fine Art Print Fair Returns to Powerhouse Arts This Spring

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Required Reading

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Les Wexner Claims Naivety in Epstein Deposition

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A View From the Easel

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This Is Not My LA Art World

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Brooklyn Navy Yard Evicts Drone Manufacturer After Months of Protests

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The Self-Invention of Helene Schjerfbeck

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Representatives of Pride Flag’s Creator Sue Trump Administration

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University of North Texas Students Withdraw Thesis Shows, Citing Censorship

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The Museum at FIT Presents “Art X Fashion”

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LA’s Art Scene Is Not a New York Outpost

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Remembering Henrike Naumann, LaMonte McLemore, and Frederick Wiseman

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Inside Pratt SCPS: Where Practice Meets the Spotlight

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Lunar New Year-Ramadan Resolutions

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Did the British Museum Remove Palestine From Its Displays?

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Chinatown Sets the Year of the Fire Horse Aglow

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Judge Orders Trump Administration to Reinstate Exhibits on Slavery

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Queer Arab Art Today

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Artist Tai Shani Pulls Phaidon Book Deal Over Leon Black Allegations

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We Must Do More Than Simply Depict Our Lives

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Ocean Vuong Is a Legitimately Good Photographer

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Why Wall Labels Matter

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The Sticky Politics of Wall Texts

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How White Elites Drained Ancient Art of Its Color

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John Altoon’s Fever Dream Drawings

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Plunging Into Bex McCharen’s Trans Queer Atlantic

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The Shapeshifting Sculpture of Diane Simpson

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Queer Arab Art in Manhattan

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When Art Finds Your Inner Child

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All About Love From a Black Medieval Angel

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Defying Trump’s Orders, NYC Re-Raises Pride Flag at Stonewall

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Step Into the World of Studio Ghibli's “Ponyo”

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Queer Arab Artists on Their Own Terms

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University of North Texas Shutters Exhibition of Artworks Critical of ICE

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The Commissioner We Need

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NYC Deserves a Culture Commissioner Who Cares

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Your Guide to a Sexy, Artsy, Non-Boring Valentine’s Day in NYC

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Art Movements: Another Artforum Editor-in-Chief Is Out

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The Importance of Making “Degenerate” Art

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Lessons From a Children’s Art Teacher

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Amy Sherald’s Show Sets Visitor Record at Baltimore Museum of Art

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