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Daily Cartoon: Tuesday, December 9th

This Bowl Has One Hundred Grams of Protein

If You Quit Social Media, Will You Read More Books?

A Low Point of Human Inaction on Climate Change

Kissing Up at the Kennedy Center

Is the Supreme Court Unsure About Birthright Citizenship?

The Best TV Shows of 2025

Daily Cartoon: Monday, December 8th

“Of the People for the People but by Me,” by Lucie Brock-Broido

“Almost Home,” by Adrian Matejka

Will Geese Redeem Noisy, Lawless Rock and Roll?

What’s the Fastest Subway Line? (Yes, There Is One)

What Happens When an “Infinite-Money Machine” Unravels

The Show Must Go On: A Comic Strip by Adrian Tomine

The New Studio Museum in Harlem Shows that Black Art Matters

The New Studio Museum in Harlem Is a Landmark in the History of Black Art

The Many Stages of Cynthia Nixon

The Ancient Roots of Doing Time

Pierre-Emmanuel Lyet’s “Christmas Avenue”

Oliver Sacks Put Himself Into His Case Studies. What Was the Cost?

Marilyn Minter’s Rapturous Visions

Letters from Our Readers

Konrad Kay and Mickey Down, the Finance Bros Behind HBO’s “Industry”

How to Leave the U.S.A.

Briefly Noted Book Reviews

Baubles Melting on an Open Fire

And Your Little Dog, Too, by David Sedaris

A New Afghan Bakery, in New York’s Golden Age of Bread

Two New Movies Revivify the Portrait-Film Genre

“Understanding the Science,” by Camille Bordas

The Trump Administration’s Chaos in the Caribbean

Restaurant Review: Babbo

Katy Waldman on Mary McCarthy’s “One Touch of Nature”

Chloé Zhao Has Looked Into the Void

Camille Bordas on Other People’s Beliefs

Camille Bordas Reads “Understanding the Science”

“The Beast in Me” Is at War with Itself

Sarah Sherman Is Grosser Than You Think

Olga Tokarczuk Recommends Visionary Science Fiction

A Holiday Gift Guide: Gear for the Coffee Nerd

A Greenlandic Photographer’s Tender Portraits of Daily Life

America’s “Bad Emperor” Problem

Chloé Zhao on “Hamnet,” Her Film About the Grief of William Shakespeare

Adam Schiff on How the Trump Administration Targets Its Opponents

Daily Cartoon: Friday, December 5th

The Best Films of 2025

How “The New Yorker at 100” Got to Netflix

Building a State of Fear in “Extremist”

Are We Getting Stupider?