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What Is Biography For?

I’m Totally Pulling Off These New Glasses

Gifts for Discerning Design Lovers

Changing Our Relationship to Technology Will Require Collective Action

Daily Cartoon: Monday, November 9th

Why Russia and Ukraine Keep Resisting Trump’s Art of the Deal

Why Are We So Good at Feeling Bad?

What It Takes to Save a Town from Wildfire

The Unfinished Business of American Socialism

The Ubiquitous Melancholy of Max Richter

The Long-Awaited Rise of Tinashe

The Lasting Influence of John Berger

The Death Knell of Digital Search

Josh Homme Likes to Satan

John Cusack Goes Graphic

If Trump Did Standup

Hilary Knight Is Rawther Beloved

Briefly Noted Book Reviews

After the War, They Turned the Cameras on Themselves, in “Allies in Exile”

“Vers Libre,” by Jane Huffman

“The Death of a Certain Woman,” by Yasushi Inoue

“After Rothko,” by David Biespiel

J. Martin Holman on Childhood in Translation

How Takashi Yamazaki Brought Godzilla Back to Life

An N.B.A. Player Got Hooked on Sports Betting. Soon, He Became the Bet

“Wicker” and What Straight Women Want

I’ll Take Blue Florida for Five Hundred

How France Took Over Basketball

Good Enough for a Tuesday Night

Chris Ware’s Fractal Pandemic Chronicle

Breaking the Decade-Long Trump Fever

The Voters Have Spoken. What Comes Next?

Dr. Becky and Emily Oster Talk with Dhruv Khullar

Atsuko Okatsuka and Chris Fleming Talk with Emma Allen

Wynton Marsalis Talks with Nick Trautwein

Ken Burns Talks with Mike Luo at The New Yorker Festival

Ethan Hawke Talks with Emily Nussbaum

“Club Kid” Is a Disarming Cocktail of Grit and Fantasy

What Does a Blue Texas Mean for America?

Pete Buttigieg on the Democrats’ Sweep of Congress, and Where They Go from Here

Daily Cartoon: Friday, November 6th

“Paper Tiger” Views Family as Deadweight

Who’s the Real Victim?

Theresa Hak Kyung Cha’s Linguistic Art

Barry Blitt’s “Sea Change”

A Cruise to End All Cruises

What This Week’s Elections Mean for The Future of Elections

Bonus Daily Cartoon: Elephant Stampede

Daily Cartoon: Thursday, November 5th

The Cozy Conservatism of “The Gilded Age”