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Daily Cartoon: Monday, September 28th

Your Guide to Navigating the Parent Group Chat

Why Doesn’t Anyone Want to Fix One of America’s Scariest Roads?

Why America Looks the Way It Does

Victoria Tentler-Krylov’s “Flower District”

The Cellmate Who Taught Me the Codes of Russian Prison

More Sunshine with Joey Arias and Basil Twist

Letters from Our Readers

How Paweł Pawlikowski Learned to Film Europe’s Fractures

How America Became Antifascist

Hockey Dads and Hockey Sons

Detecting Notes of . . . Citi Field?

Cookie Monster Tries to Meet His A.I. Mandate

Cartoon Recession Indicators

Caleb Hammer’s Humiliation Economy

Briefly Noted Book Reviews

At the Department of Justice, Many Lawyers Are Wondering If It’s Time to Quit

“Weeping Willow, Nantucket,” by Stephanie Burt

“Narrow Escape,” by Aleksandr Solzhenitsyn

“D’Angelo in Starlight,” by Ishion Hutchinson

The President vs. the Press

Fiction by Aleksandr Solzhenitsyn, in English for the First Time

Iran’s Bitterness and Bewilderment Over How to Make Peace with Trump

The Teen Portraits That Captivated Sofia Coppola

Taryn Simon’s Father Figures

Nolan Wells’s Family Still Wants Answers

Are Public Spaces Really for the Public?

A Night Living in Penn Station

Susan Collins’s Maine Money Machine

Ari Emanuel on Donald Trump, Elon Musk, and Mixing Business with Politics

The New York Film Festival, Week One: Better Late Than Never

Min Jin Lee on “American Hagwon,” Her First Novel After the Phenomenon of “Pachinko”

I’ll Have What Xi’s Having

Daily Cartoon: Friday, September 25th

“Resident Evil” Is Fun, but Soulless. What Else Could It Be?

The Sublime Somi Bridges African and Western Jazz

The Predator Catcher Turns Predatory in “Primetime”

The Week Republicans Finally Panicked About Trump

Gut Renos of Ionesco and Chekhov

Daily Cartoon: Thursday, September 24th

What Survival Stories Tell Us (and Should We Listen?)

There Is No A.I. “Race”

Currently on View in an Art-Fair Booth

How MAHA Tore One Family Apart

“NAZA” Puts Israel Face to Face with the War in Gaza

What China’s Vibe-Coding Capital Can Tell Us About the A.I. Boom

An OpenAI Engineer and His Friends Debate the Future

Daily Cartoon: Wednesday, September 23rd

Kate Atkinson’s Obsession with History