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Behind the Settler Attack on Palestinians and a Washington Post Journalist

Daily Cartoon: Monday, October 19th

“The Brightness,” Reviewed: Chad Harbach’s Sequel to “The Art of Fielding”

When God Is Another Addiction

The Perils of Time Travel

The New Age of Reading

The Furry Prima Donna of “La Bohème”

The Danger of Getting Too Close to a Source

Mark Ulriksen’s “Make It Two”

Louise Glück’s Life in Restaurants

Josh Safdie’s Top Ten (or So) N.Y.C. Films

Frank Capra’s Mythmaking Magic

Everyone Can Be Migos Now

Computer Chips Are the Most Magnificent Things Humanity Has Ever Made

Briefly Noted Book Reviews

Bill Irwin Is the O.G. Clown

“The Woodcutter,” by Nick Laird

“Shortcut,” by Diane Mehta

“Appeasement, Ohio,” by George Saunders

What John Goodman Knows About Fear

The Bari Weiss Effect on “60 Minutes”

Restaurant Review: Faux

How the D.S.A. Learned to Love Elections

George Saunders on How Fiction Helps Us Gawk Fondly at Reality

George Saunders Reads “Appeasement, Ohio”

Your Next Vacay Is . . . the Strait of Hormuz?

We Can Never Understand Elizabeth Holmes, or Nathan Fielder

My Year of O.C.D.

How Trump’s Immigration Crackdown Gave Florida Democrats a Chance

Andre D. Wagner’s Eye for the Photo-Ready

Elon Musk Is Trying to Buy the Midterms, and He Doesn’t Care Who Knows It

Anthony Scaramucci Says the Universe Did Katie Zacharia a Favor

Bonus Daily Cartoon: The Ex-Press Lane

Has MAGA Lost Faith in Donald Trump?

Molly Fischer on Waymo, the Driverless Taxi Coming to a City Near You

Daily Cartoon: Friday, October 16th

Why Can’t You Sit Still?

The Toxic Logic Behind the Shaming of Cornell’s Jane Doe

The Season of Rosalyn Drexler

The New Yorker Festival

The Irish Punks Who Know Their Yeats

Facing the Death Penalty

Trump’s October Surprise Is a Pivot to Putin

Spoiler Alert: Keeping Movies Under Wraps

I Used to Be a Horse

Daily Cartoon: Thursday, October 15th

Elon’s Money Talks

The Death of a Young Haitian’s American Dream

What’s at Stake in the 2026 Midterms