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The Edge of Adolescence

Teen Rebellion Immortalized, Through the Eyes of Chris Steele-Perkins

How Nicolas Sarkozy Survived Twenty Days Behind Bars

Caught in the “Ceasefire”

The Washington Roundtable’s 2025 in Review

Poetry as a Cistern for Love and Loss

Leon Panetta on the Trump Administration’s Venezuelan Boat Strikes

Bonus Daily Cartoon: Skin All Green and Teeth All Yellow

Daily Cartoon: Friday, December 12th

Is A.I. Actually a Bubble?

The Lovably Fragile Exes of “Is This Thing On?”

Nancy Shaver Is the Real Deal

Going Nuclear Without Blowing Up

Bi Gan’s Dream Factory

America’s Betting Craze Has Spread to Its News Networks

A Holiday Gift Guide: Puzzles and Games Galore

2025 Was David Lynch

“Wake Up Dead Man”: A Murder Mystery with God in the Details

The Curse of Trump 2.0

How Bad Is It?: Three Political Scientists Say America Is No Longer a Democracy

Daily Cartoon: Thursday, December 11th

“Wake Up Dead Man” and the Whodunnit Renaissance

Will Trump Torpedo North American Trade?

The People You Imagine Reading Your Letterboxd Posts

Inside Trump’s Artless Takeover of the Kennedy Center

How the Kennedy Center Has Been Transformed by Trumpism

What the Warner Bros. Sale Means for the Art of Movies

Automation and Intimacy Brought Video Podcasters Out of the Man Cave

Daily Cartoon: Wednesday, December 10th

Instagram’s Favorite New Yorker Cartoons in 2025

A Student Chases the Shadows of Tiananmen

A Holiday Gift Guide: Treasures That Are Old, or Old at Heart

Daily Cartoon: Tuesday, December 9th

This Bowl Has One Hundred Grams of Protein

If You Quit Social Media, Will You Read More Books?

A Low Point of Human Inaction on Climate Change

Kissing Up at the Kennedy Center

Is the Supreme Court Unsure About Birthright Citizenship?

The Best TV Shows of 2025

Daily Cartoon: Monday, December 8th

“Almost Home,” by Adrian Matejka

Will Geese Redeem Noisy, Lawless Rock and Roll?

What Happens When an “Infinite-Money Machine” Unravels

The Show Must Go On: A Comic Strip by Adrian Tomine

The New Studio Museum in Harlem Shows that Black Art Matters

The Ancient Roots of Doing Time

Oliver Sacks Put Himself Into His Case Studies. What Was the Cost?

Konrad Kay and Mickey Down, the Finance Bros Behind HBO’s “Industry”

How to Leave the U.S.A.

Briefly Noted Book Reviews