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Kate Beckinsale Gets in on the Shark Survival Genre, Boards Jake West’s ‘White’ (Exclusive)

Kurdistan, the Best Filming Location Nobody Knows About

Léa Seydoux Is in for a Rude Awakening in a Clip From Cannes Competition Film ‘Gentle Monster’ (Exclusive)

Warner Bros.’ Pam Abdy Emphasizes “Commitment to Bring Looney Tunes Back to the Big Screen”

Vin Diesel Tears Up Talking About Paul Walker at the ’Fast & Furious’ Cannes Screening

Elon Musk Chimes in on Lupita Nyong’o in Christopher Nolan’s ‘The Odyssey,’ Again

‘The Rip’ Cast and Crew Land Netflix Performance Bonus

Brad Pitt’s ‘Heart of the Beast’ Sailing Into Theaters in Late September

‘Teenage Sex And Death At Camp Miasma’ Comes Alive at Cannes With Warm Standing Ovation

Ben Stiller, Nicholas Galitzine to Star in Netflix Movie ‘A Matter of Time’ About Unlikely Angel

Adam Sandler’s ‘Grown Ups 3’ in the Works at Netflix

Medieval Fantasy Series ‘Barbaric’ a Go at Netflix

‘A Secret Heart’ Chronicles a Family’s Healing and the Metamorphosis of a Woman Called Lilou, the Director’s Father

Student Academy Awards Will Be Held at Toronto International Film Festival

Empire Founder Ghazi Shami Joins ‘American Doctor’ Doc as Exec Producer (Exclusive)

Karla Sofía Gascón on Her Villainous Turn in Western ‘Trinidad,’ the Flagship Cannes Title From Spain’s ISII

M. Night Shyamalan Says ‘Remain’ Is “The Highest-Testing Movie of My Career”

Cannes Flashback: When ‘Thelma & Louise’ Closed Out the Fest and Opened a Door

‘Gentle Monster’: Marie Kreutzer on Working With Léa Seydoux, Power and Our Blind Spots for People We Love

Julia Louis-Dreyfus, Seth Rogen, Bryan Cranston Tackle Alzheimer’s in Cannes-Bound Animation ‘Tangles’ (Exclusive Clip)

Laika Unveils ‘Wildwood’ Teaser Trailer in Cannes

How ‘Remarkably Bright Creatures’ Went From Bestseller to Netflix With Sally Field, Lewis Pullman

Peter Jackson Talks Upcoming Projects, AI’s Role in Filmmaking: “It’s Just a Tool Like Any Other”

Pentagon, Do Better. Your UFO Videos Look Terrible

My Cannes Moment: Anaïs Demoustier

Secret Cinema Unveils Its Next Large-Scale Immersive Theatrical Experience: ‘Pirates of the Caribbean’ (Exclusive)

Why France Is Making ‘Les Mis’ Again — and Why This Time Feels Different

‘Jim Queen’ Stars a Gay Influencer Facing a Virus That’s His Worst Nightmare (Exclusive Cannes Clip)

‘A Woman’s Life’ Stars Léa Drucker as a Surgeon in Her 50s Whose Life Threatens to Unravel (Exclusive Cannes Clip)

Free(d) Turkeys? Wild Boars? In ‘Too Many Beasts,’ It’s Farmers Versus Hunters (Exclusive Cannes Clip)

Japan Is Everywhere at Cannes This Year

Donald Gibb, Actor in ‘Revenge of the Nerds,’ ‘Bloodsport,’ Dies at 71

‘Rush Hour 4’: Director Brett Ratner Hitches a Ride With Trump to Scout Locations in China

Macaulay Culkin Says He Has “Unfinished Business” With ‘Home Alone’ Mother Catherine O’Hara

Conan O’Brien to Return as Oscars Host for Third Year in a Row

Peter Jackson Receives Cannes Palme d’Or From Elijah Wood in Upbeat Opening Ceremony

Barry Blaustein, Writer for Eddie Murphy on ‘Saturday Night Live’ and the ‘Coming to America’ Films, Dies at 71

‘The Remembered Soldier’ Movie in the Works from ‘Remarkably Bright Creatures’ Filmmaker Olivia Newman (Exclusive)

Steve Zahn Joins Kate Hudson, Javier Bardem in Amazon MGM Rom-Com ‘Hello & Paris’ (Exclusive)

Jack Taylor, American Actor in European Horror and Fantasy Films, Dies at 99

Will Politics Take Over Cannes This Year?

Hollywood Ventures Group and Thirteenth Studios Team to Develop Platinum Universe Library

Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release

Cannes Flashback: Peter Jackson’s ‘The Lord of the Rings’ Preview Rang True

‘Clue’: THR’s 1985 Review

Demi Moore Decries “Self-Censorship,” Park Chan-wook Welcomes Politics “Without Prejudice” as Cannes Gets Underway

‘The Odyssey’: Christopher Nolan Confirms Lupita Nyong’o Playing Two Roles

Rex Reed, Caustic Film Critic, Dies at 87

Hidden Gem: ‘The Meltdown’ Stars a Girl, a Vanished Friend and Secrets Buried Below Snow and Ice

Anaïs Demoustier Is Hoping for Laughs With Cannes Opener ‘The Electric Kiss’