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‘Mothers’ Instinct’ Set for China Theatrical Release (EXCLUSIVE)
10m
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Film Factory Takes Global Rights to ‘Ex Machina’-Inspired Spanish Sci-Fi Thriller ‘Singular’ (EXCLUSIVE)
2h
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Filming in Hungary Comes With a 20-Year-Old Tax Rebate – and Thermal Baths
2h
H
Christophe Honoré on the Health of Cinema, Nepo Babies and His Latest Film, ‘Marcello Mio’
2h
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China Box Office: ‘The Last Frenzy’ Returns to Top Spot as Theatrical Momentum Slows, ‘The Fall Guy’ Flops
4h
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Carson Lund Pitches ‘Eephus’ as a Universal Tale on Change, Aging and Loss
5h
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‘CSI: Vegas’ Ends Its Series Run With a Shocking, Unexpected Villain Twist
5h
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Korea Box Office: ‘IF’ and Other New Releases Make Little Impact as ‘The Roundup: Punishment’ Hits $75 Million
5h
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‘The Garfield Movie’ Review: Beloved Feline Loses His Sarcastic Growl in Product Placement-Heavy Origin Story
7h
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Producer Frank Marshall on Resurrecting a Lost Album by Jazz Greats Chet Baker and Jack Sheldon, 52 Years After It Was Recorded
8h
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‘Horizon: An American Saga — Chapter 1’ Review: Sprawling Yet Thinly Spread, the First Part of Kevin Costner’s Western Epic Feels Like the Set-Up for a TV Miniseries
8h
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Justin Baldoni Explains Decision to Age Up Characters in ‘It Ends With Us,’ Credits Blake Lively for Getting Taylor Swift Song in Trailer
8h
H
Cannes Goes Ape — for ‘The Substance,’ Demi Moore and Margaret Qualley’s Flesh-Shredding Body Horror, With 11-Minute Standing Ovation
9h
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Cannes: Body-Horror Flick ‘The Substance’ Wows Fest, Getting Nine-Minute Standing Ovation
9h
H
‘The Substance’ Review: Demi Moore and Margaret Qualley in a Visionary Feminist Body-Horror Film That Takes Cosmetic Enhancement to Extremes
10h
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A24 Acquires U.S. Rights for Ruben Östlund’s ‘The Entertainment System Is Down’
10h
H
How to Watch the ‘American Idol’ Season 22 Finale (and Katy Perry’s Farewell) Online Free
11h
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Sergei Loznitsa’s ‘The Invasion’ Picked Up for France Following Cannes Premiere (EXCLUSIVE)
12h
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Box Office: ‘Kingdom of the Planet of the Apes’ Hits $237 Million Globally, ‘IF’ Nears $60 Million
12h
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A24 Closing U.S. Rights Deal on Ruben Ostlund’s ‘The Entertainment System Is Down’
12h
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Seattle International Film Festival Awards Top Honors to ‘Sing Sing,’ ‘Gloria!’
12h
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This Hack Lets You Use Your Own Wireless Earbuds and Bluetooth Headphones on the Plane
12h
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Tearful Kevin Costner Unveils Western Gamble ‘Horizon’ at Cannes: “Sorry You Had to Clap So Long”
13h
H
Kevin Costner Can’t Hold Back Tears as His Western Epic ‘Horizon’ Earns 7-Minute Cannes Standing Ovation, Promises ‘3 More’ Installments
13h
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Amazon’s Latest Security Camera Deal Gets You Its Bestselling HD Cam for Under $20
13h
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Michel Hazanavicius on His Cannes Competition Film ‘The Most Precious of Cargoes’: ‘It’s About People Who Saved Lives’ (EXCLUSIVE)
14h
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Urban Sales Racks Up Deals on Animation ‘Into the Wonderwoods’ Ahead of Cannes World Premiere (EXCLUSIVE)
15h
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‘My Sunshine’ Review: Hiroshi Okuyama’s Second Feature Traces a Gentle Trajectory Through Changing Seasons
15h
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Spanish Animation Woos Marché du Film Buyers
15h
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Sean ‘Diddy’ Combs Admits to Assaulting Cassie in 2016 Video: ‘I Was F—ed Up’
16h
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UFO Nabs French Distribution for Directors’ Fortnight Player ‘Gazer’ (EXCLUSIVE)
17h
V
Box Office: John Krasinski’s ‘IF’ Debuts at No. 1 With Soft $35 Million
17h
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‘The Substance’ Director Coralie Fargeat on How Her Feminist Body Horror Film With Demi Moore and Margaret Qualley Mirrors #MeToo: ‘We Need a Bigger Revolution’
17h
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‘Limonov: The Ballad’ Review: Ben Whishaw Stars in a Portrait of a Radical That Is All Swagger and No Game
17h
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A.R. Rahman Unveils Music Documentary ‘Headhunting to Beatboxing’ at Cannes (EXCLUSIVE)
17h
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‘The Falling Sky’ Review: The Yanomami People Deliver an Apocalyptic Warning in Scorching Resistance Doc
18h
V
Sony Brings Stable of Filmmakers to Cannes for Columbia 100th Anniversary Bash
18h
H
Filmmaker Claude Barras Gets Animated in Cannes with Stop-Motion Feature ‘Sauvages’
18h
H
Cynthia Erivo Delivers Powerful Speech About Being ‘Black, Bald-Headed, Pierced and Queer’
18h
V
Why We All Really Do Care About Standing Ovations
18h
H
Julianne Moore Says It’s ‘Very Exciting’ to See Women ‘Represented Through All Stages of Their Lives’ on Screen
20h
V
Spanish Animation Booms, Still Looks For Improvement
20h
V
Cannes, According to … The Local, Lawyer Susan Abramovitch
20h
H
‘Rumours’ Review: Cate Blanchett Gets Lost in Heavy Fog and Hot Air in a Laugh-Out-Loud Political Satire
20h
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Cate Blanchett’s New Film ‘Rumours’ Is Named After the Fleetwood Mac Album: Its Characters Are ‘Creatively Fraught and Everyone Was Sleeping With Each Other, So It Made Sense’
21h
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Selena Gomez, Zoe Saldaña and Édgar Ramírez on the Politics of ‘Emilia Perez’: ‘We Don’t Recognize the Country in Which We Live’
22h
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Kirill Serebrennikov on Directing Ben Whishaw as a Russian Punk Poet ‘Who Wanted to Start a War Against the Entire World’ in ‘Limonov: The Ballad’
22h
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‘The Falling Sky’ Directors Eryk Rocha and Gabriela Carneiro da Cunha on How The Amazon’s Yanomami Tribe Can Teach ‘White People’ to Dream Collectively
22h
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Paolo Sorrentino on Making His First ‘Feminine Epic’ With Cannes Film ‘Parthenope’ and Directing Gary Oldman: He’s ‘One of the Top Five Actors in the World’ (EXCLUSIVE)
23h
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