Headlines

Ella Langley Sweeps ACM Awards With Seven Wins; Cody Johnson Wins His First Entertainer of the Year Prize

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‘Euphoria’ Season 3 Episode 6: Did Rue Survive Alamo’s Attack?

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Sony Pictures TV and ‘Heated Rivalry’ Streamer Crave Pact for Freddie Highmore-David Shore Drama Series

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‘Karma’ Review: Marion Cotillard and Denis Ménochet Class Up Guillaume Canet’s Lurid, Overlong Potboiler

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Inside the 2026 Tony Nominees Event: Carrie Coon Calls for Universal Childcare, Brandon Uranowitz and Stephanie Hsu Want a Better Broadway

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Wild ‘Hope’ Livens Up Sleepy Cannes

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‘Sheep in the Box’ Review: Kore-eda’s Sweet but Limp Sci-Fi Fable About a 7-Year-Old AI Humanoid

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‘Hope’ Unleashes a Bats— Crazy Korean Monster Movie on Cannes and Earns 6-Minute Standing Ovation

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‘Hope’ Review: Na Hong-jin’s Overlong Creature Feature is a Guns-Blazing Riot of Bawdy Humor, Bad CGI and Brilliant Action

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Ann Robinson, Star of ‘The War of the Worlds,’ Dies at 96

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ACM Awards Producers on What to Expect Sunday Night: Shania’s First Country Hosting Gig, Show’s Return to Vegas, 17 Performances in 2½ Hours and Meeting the Ella Langley Moment

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‘A Girl’s Story’ Review: Judith Godrèche’s Assured Feature Debut Tells a Bitter Tale of Sexual Initiation in 1950s France

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Barbra Streisand to Miss Cannes Closing Ceremony Honoring Her Due to Knee Injury

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Canal+ Head Says He Will Blacklist Talents Who Petitioned Against Right-Wing Billionaire Owner

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Annette Bening on Going Head-to-Head With Beth and Rip on ‘Dutton Ranch,’ Perfecting That Accent and Wardrobe, and Bringing ‘Vulnerability and Desperation’ to Beulah

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‘Another Day’ Review: Adèle Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry’s Graceful Alcoholism Drama

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Barbra Streisand Unable to Attend Cannes Closing Ceremony After Suffering Knee Injury

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ACMs 2026 Livestream: How to Watch the Country Music Awards Show Online for Free

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The Night ‘Pan’s Labyrinth’ Changed Cannes Forever

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Barbra Streisand Unable to Attend Cannes Closing Ceremony to Accept Honorary Palme d’Or After Knee Injury

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Ryan Gosling Was Fired From ‘Lovely Bones’ After Gaining 60 Pounds. Peter Jackson Now Speaks Out: ‘Anytime We Recast an Actor, It’s Actually Our Fault’

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The Oscars’ New Inclusion Rules Wouldn’t Disqualify Any Best Picture Nominee in History. So Why Is Elon Musk Melting Down Over ‘The Odyssey’?

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‘Laalo’ Producers Soul Sutra Unveil 12-Film Gujarati Slate at Cannes Film Market, Eye Global Co-Productions (EXCLUSIVE)

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Happy 60th Birthday, ‘Pet Sounds’: Beach Boys Mike Love, Al Jardine and Bruce Johnston Recall the Making and Aftermath of One of Rock’s Greatest Albums

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French Tech Entrepreneur Adrien Nussenbaum Launches Palatio Films With Daniel Auteuil’s Cannes Movie ‘When Night Falls’

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‘Michael’ Surpasses $700 Million Globally, ‘Devil Wears Prada 2’ Nears $550 Million Milestone

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Daniel Hong Thriller ‘Dead End’ Lands at EST N8 for Cannes Film Market Launch (EXCLUSIVE)

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Blood, Blasphemy and Boning: Ken Russell’s ‘The Devils’ Turns 55, and It’s Still the Freshest, Wildest Film at Cannes

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As Hollywood Pulls Back, Northern Ontario Steps Up

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Will Ferrell’s ‘SNL’ Monologue Hijacked by Lookalike Red Hot Chili Peppers Drummer Chad Smith

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Five Wild Cannes Market Projects: From Boy-Love Horror-Romance ‘Paint You on My Bed Sheet’ to ‘Deathgasm II Goremageddon’

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Cate Blanchett and Selena Gomez Set to Star in Brady Corbet’s New ‘X-Rated’ Epic

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Inside Netflix’s ‘Call My Agent The Movie’: George Clooney Cameo, Cannes Shoot and Andrea’s Big Comeback (EXCLUSIVE)

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‘Moulin’ Review: László Nemes Directs a Narratively Flat, Visually Arresting Spy Drama

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Ron Howard on Documentary Filmmaking, Richard Avedon and “Creative Endurance”

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Box Office: ‘Michael’ Returns to No. 1 in Fourth Weekend, ‘Obsession’ Starts Strong With $16 Million

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Lars Eidinger: The Man Who Plays Monsters

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Cate Blanchett Says #MeToo ‘Got Killed Very Quickly’ and She’s Still on Movie Sets Where There’s ’10 Women and 75 Men’: ‘It Just Gets Boring’

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Edinburgh Film Festival Director on 2026 Edition, Continuing ‘Expansion’ in Third Year Since Relaunch and Building a ‘Home for Independent Cinema’

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Mel Brooks to Donate His Expansive Career Archive to National Comedy Center in New York

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Why Scarlett Johansson Dodged James Gray’s Cannes FaceTime Call

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Director Laila Marrakchi on Female-Driven Migrant Drama Strawberries in Cannes:’These Women Are So Strong, So Capable, So Courageous’ – Clip

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‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait

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Adam Driver Brushes Off Lena Dunham Memoir Question in Cannes: ‘I’m Saving It All for My Book’

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Donald Trump as James Bond? White House Posts Image of President as Gun-Wielding 007

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Frankie Muniz, Christopher Lloyd Board Paris-Set Family Adventure ‘Christopher Hope and the Secret of Napoleon’ (EXCLUSIVE)

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Brillante Mendoza Casts Judy Ann Santos, Jeanne Balibar and Stacy Martin in ‘Aid’; Fire & Ice, Ghost City, Human Films Producing (EXCLUSIVE)

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Raya Martin’s Horror Thriller ‘Obosen’ Lands at Philippines’ Rein Entertainment as Studio Taps Quark Henares as Partner (EXCLUSIVE)

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Grace Caroline Currey to Lead Crime Thriller ‘Dead Miles,’ VMI Launching Sales in Cannes (EXCLUSIVE)

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Chad Michael Murray to Star in Family Drama ‘Disconnecting Peter’ (EXCLUSIVE)

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