Headlines

Brendan Fraser Finds a New Oscar Vehicle in Hikari’s ‘Rental Family’ at TIFF

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‘The Eyes of Ghana’ Review: The Medium of Cinema Serves an Idealistic Role in the Story of Ghanian Filmmaker Chris Hesse

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‘I Swear’ Review: Down-to-Earth Tourette Syndrome Drama Is a Fine Showcase for ‘Rings of Power’ Star Robert Aramayo

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How Ontario Aims to Lead the World in Sustainable Filmmaking

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Everest Pioneer Tabei Junko Biopic ‘Climbing for Life’ to Open Tokyo Film Festival

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Donald Trump Booed at U.S. Open Men’s Final Match

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Inside ‘Nuremberg’: Cast Talks Exploring Evil, Russell Crowe Learning German and Michael Shannon’s Jeff Nichols GoFundMe Joke

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Donna Langley on the Letterboxd Generation and Being “Sorry” About Sending ‘Fast & Furious’ to Space

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Wagner Moura on Oscar Buzz and Returning to Brazil With ‘The Secret Agent’: ‘It Was Liberating to Act in Portuguese Again’

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Jodie Foster on Struggles of Women Directing in Hollywood; Shares Advice for Nicolas Cage’s ‘True Detective’ Role

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NBC Universal Chief Donna Langley Apologizes for Sending ‘Fast & Furious’ Into Space: ‘We Can Never Get That Genie Back’

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Shailene Woodley, Gugu Mbatha-Raw, Jessie Buckley and More Attend Variety and Chanel’s Female Filmmakers Dinner at Toronto Film Festival

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‘Conjuring: Last Rites’ Scares Up Second Biggest Global Horror Opening Ever With $187 Million

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‘The White Lotus’ Composer Wins Emmy for Season Three Theme Song Despite Mike White Drama

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‘A Little Prayer’: David Strathairn and Director Angus MacLachlan Break Down Their Quiet, Heart-Wrenching Sundance Indie

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How Angelina Jolie’s Health Journey Inspired Alice Winocour’s Paris Ensemble ‘Couture’: ‘It Was Quite Healing in Many Ways’

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Bill Nighy, Imelda Staunton, Dominic West Star in Pablo Trapero’s English-Language Feature Debut, ‘& Sons’

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Why Bill Nighy Won’t Watch ‘& Sons’ Ahead of Toronto Fest World Premiere

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Box Office: ‘Conjuring: Last Rites’ Stuns With Series-Best $83 Million Debut

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Can TIFF’s Content Market Compete With AFM and Cannes?

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Why Cillian Murphy Swapped ‘Oppenheimer’ Bombast for Quiet Drama in ‘Steve’

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How ‘I Swear’ Star Robert Aramayo and Director Kirk Jones Use Humor and Heart to Shed New Light on Tourette’s

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From Folklore to Film Sets: Inside Newfoundland’s Production Boom

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Oscar Doc Winner Daniel Roher Reveals “Secret Weapon” While Directing Narrative Debut ‘Tuner’

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Toronto Awards Analysis: For ‘Roofman’ and ‘Rental Family,’ Channing Tatum and Brendan Fraser Join a Crowded Best Actor Field

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‘American Murder: Gabby Petito,’ ‘Godfather of Harlem,’ ‘PD True’ Among CrimeCon’s Clue Award Winners

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‘Wake Up Dead Man: A Knives Out Mystery’ Review: Set in a Church Parish, and Pairing Daniel Craig and Josh O’Connor, the Third Entry in the Series May Be the Sharpest Yet

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With ‘Franz,’ Agnieszka Holland Shares Her Unique View of Kafka, Informed by a Career of Outsider Insights

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Roblox Innovation Awards 2025 Winners Revealed: ‘Grow a Garden,’ ’99 Nights in the Forest’ and More (EXCLUSIVE)

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‘Roofman’ Review: Channing Tatum Charms as a Homeless Fugitive Who Shacks Up Inside a Toys R Us Store

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Toronto: Rian Johnson Takes Latest ‘Knives Out’ Mystery “Back to Church”

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‘Rental Family’ Review: Hiring Actors to Play Relatives Would Be Weird Enough Without Brendan Fraser Being One of the Options

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Channing Tatum, Kirsten Dunst Electrify Toronto Film Festival With True Crime Drama ‘Roofman’

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‘Wake Up Dead Man: A Knives Out Mystery’ Takes TIFF Audience to Church With Rapturous World Premiere

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Merritt Wever Wins Emmy for Guest Actress in a Drama for ‘Severance’

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Bryan Cranston Wins Emmy for Guest Actor in Comedy for ‘The Studio’

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‘Hacks’ Julianne Nicholson Wins Emmy for Guest Actress in a Comedy

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Creative Arts Emmy Awards: ‘The Penguin’ and ‘The Studio’ Dominate Night 1 Winners

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Gugu Mbatha-Raw and Sam Worthington Talk David Mackenzie’s ‘Fuze,’ With Updates on ‘Avatar’ Sequels and Kevin Costner’s Stalled ‘Horizon’ Films

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Brendan Fraser Says Streaming Forces Actors to ‘Up Your Game’ and Choose Films ‘More Carefully’ Because Viewers Can Just Hit Skip: ‘I Welcome That Challenge’

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Brendan Fraser and Director Hikari on Bringing the Emotional Drama ‘Rental Family’ to TIFF: ‘The Villain is Apathy’

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Ross McElwee’s ‘Remake’ Wins Golden Globes Impact Prize for Documentary at Venice Film Festival

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Eugene Levy and Martin Short on How a 1972 Toronto Production of ‘Godspell’ Changed the Course of Their Careers and Comedy History

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Venice Jury Boss Alexander Payne Responds to Backlash Over Not Giving ‘Voice of Hind Rajab’ the Top Prize, Rejects Claim a Juror Threatened to Quit: Don’t ‘Believe Everything We Read Online’

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James Vanderbilt on Pitting Russell Crowe Against Rami Malek in TIFF Thriller ‘Nuremberg’

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‘Beating Hearts’ Producer Hugo Selignac on Delivering His Biggest Movie With Venice Closing Pic ‘Dog 51’ and Luring Quentin Dupieux, Leos Carax (EXCLUSIVE)

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Ryan Reynolds Enraged Denzel Washington When His Phone Rang During Emotional ‘Safe House’ Scene: ‘Who the F—‘s Phone Is That?’

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