Headlines

Should Jacob Elordi Play Heathcliff? Why the ‘Wuthering Heights’ Casting Is So Controversial, According to Literary Experts and More

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‘Everybody Digs Bill Evans’ Review: An Aching Jazz Biopic Played With a Delicate Pianissimo Touch

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CAA Elevates Six to Agent and Executive Roles

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Lorne Michaels Documentary ‘Lorne’ Sets Spring Release From Focus

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Lorne Michaels Documentary From ‘Won’t You Be My Neighbor’ Director Morgan Neville Sets April Release Date

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Daytona 500 on Sling TV: How to Watch the NASCAR Cup Series Live Online Without Cable

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How New Talent and Veteran Auteurs Drive a Revolution in Spain’s Film and TV Production

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Spain Hones Sales Strategies to Focus on Genre, Animation and Breakout Directors

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Top Spanish Titles From Big Name Filmmakers and Fresh Newcomers Lead Country’s Charge at Berlin’s EFM

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Vertical Takes ‘Wizard of the Kremlin’ for North America

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‘Nirvanna the Band the Show the Movie’: Matt Johnson on Writing the Script With His Lawyer, Surviving the 200 Day Shoot and Pulling Off His Elaborate ‘Back to the Future’ Parody

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‘Teenage Sex and Death at Camp Miasma’ First Look: Hannah Einbinder and Gillian Anderson Try to Survive Jane Schoenbrun’s Slasher; Mubi Dates Theatrical Release

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Indian Writer Arundhati Roy Pulls Out of Berlinale Over Wim Wenders’ Comments on Gaza

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Elisabeth Moss to Star in Hulu Series Adaptation of Jack Jordan’s ‘Conviction’ From David Shore

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Lemonheads Singer Evan Dando Hospitalized for Mental Health Issues, After Fan Posts Account of Receiving Unsolicited Sexual Videos

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‘Killing Satoshi’ Bitcoin Biopic Starring Pete Davidson and Casey Affleck Set to Use AI for Locations and to ‘Adjust’ Performances (EXCLUSIVE)

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Little Spark Films to Expand Into Full Genre Studio With New Investment; Execs Named and Slate Announced (EXCLUSIVE)

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Donna Langley on BAFTA Fellowship, Why ‘The Odyssey’ Was ‘Not a Difficult Yes,’ Shooting The Next ‘Fast & Furious’ in L.A. and Future ‘Wicked’ Plans (EXCLUSIVE)

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Chile Touts Outsized Presence at Berlinale

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Box Office: ‘Wuthering Heights’ Makes $3 Million in Previews

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New Funko CEO on Cornering ‘Kidult’ Collectibles Market in a Rough Economy: ‘There’s Almost More Value for Something That’s Physical and Tangible’

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Foo Fighters Use Website to Release 10 New… Riffs

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Lukas Gage on Playing Pamela Anderson’s Son in ‘Rosebush Pruning’: ‘She Stayed in Character the Whole Time Giving Me Gifts as My Mom’

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Spain’s ISII Group Debuts at Berlin’s EFM With a Focus on Ambitious Cinema That Can Travel and Perform Commercially

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Brent Faiyaz Uncorks an Instant-Vintage Serving of Sultry R&B With ‘Icon’: Album Review

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Anthony Chen’s Berlinale Competition Entry ‘We Are All Strangers’ Sells to France With ‘Nouvelle Vague’ Distributor ARP (EXCLUSIVE)

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‘Terminator Zero’ Canceled After One Season at Netflix, Creator Reveals

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‘Bridgerton’ Season 4 Part 2 Trailer: Benedict and Sophie Decide the Fate of Their Relationship in Romantic Ending

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Nexo Digital Launches Sales at EFM on Doc About First Millennial Saint Carlo Acutis, Dubbed ‘God’s Influencer’

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As Johnny Blue Skies, Sturgill Simpson Returns to Atlantic With a Physical-Release-Only, Non-Streaming ‘Dance Record,’ ‘Mutiny After Midnight,’ Led by New Song ‘Make America F— Again’

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OWN Greenlights Two New Iyanla Vanzant Specials (EXCLUSIVE)

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Lykke Li Inks With Neon Gold Records, New Album ‘The Afterparty’ Due in May

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Jill Scott Pulls From All Directions Yet Centers the Sound on Triumphant ‘To Whom This May Concern’: Album Review

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‘Rehab Addict’ Host Nicole Curtis Apologizes for Using Racial Slur, Says Footage Was ‘Stolen and Manipulated’ to ‘Create This Chaos of Hate’

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‘In a Whisper’ Review: A Funeral Uncovers Buried Secrets in Leyla Bouzid’s Emotional Family Mystery

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Indian Author Arundhati Roy Pulls Out of Berlinale Over Jury’s ‘Unconscionable’ Refusal to Comment on Gaza: ‘To Hear Them Say That Art Should Not Be Political Is Jaw-Dropping’

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‘Lali’ Is a Proudly Pakistani and Colorful Film at Berlin, But Dissects a Universal Institution: Marriage

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Jim Broadbent, Kelly Macdonald and Jamie Demetriou Join Emily Mortimer’s Directorial Debut ‘Dennis’ for A24, Fruit Tree (EXCLUSIVE)

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Amazon’s Ring Scraps Police-Notification Partnership After Backlash Over Super Bowl Ad About AI-Enabled Dog Finder

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Netflix Wins U.S. Rights to ‘Lord of the Flies’ Series From ‘Adolescence’ Creator Jack Thorne

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Berlin’s EFM Kicks Off With Star-Driven Love Stories as Buyers and Sellers Hunt for Fresh Films in Ever-Changing Market

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Ian de la Rosa Bows ‘Iván & Hadoum’ at Berlin, a ‘Classic Love Story With Characters Who Are Anything but Classic’

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Este Haim on Wanting to Compose Music for Paul Thomas Anderson: ‘If Jonny Greenwood Happens to Retire, I’ll Be Right There’

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MK2 Films Acquires Worldwide Rights to Ari Folman’s ‘Waltz With Bashir’ as New 4K Restoration Is Readied (EXCLUSIVE)

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Prime Video Drops Italian Original Film ‘Love Me Love Me’ Based on Wattpad Book That ‘Garnered  24 Million Reads,’ Producers Discuss YA Romance Trend (EXCLUSIVE)

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“Wow”: Neil Patrick Harris Hit With Barrage of U.S. Politics Questions at Berlin ‘Sunny Dancer’ Presser: “I’m Interested in Things That Are Apolitical”

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‘Dao’ Director Alain Gomis on One Wedding and a Funeral, Fact and Fiction Blurring in His Berlin Film

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Locarno Pro’s First Look Sets Focus on Uruguay

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Bring Me the Horizon Immersive Concert Film ‘L.I.V.E. in São Paulo’ Unveils Trailer, Tickets Now on Sale

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Indie Veteran Stuart Ford on Netflix-Warner Deal: We Have to “Fight Tooth and Nail” to Protect Backend or Film Professionals Will Become “Uber Drivers” for the Tech Giants

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