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‘Horizon: An American Saga — Chapter 1’ Review: Sprawling Yet Thinly Spread, the First Part of Kevin Costner’s Western Epic Feels Like the Set-Up for a TV Miniseries
7h
V
Justin Baldoni Explains Decision to Age Up Characters in ‘It Ends With Us,’ Credits Blake Lively for Getting Taylor Swift Song in Trailer
7h
H
Cannes Goes Ape — for ‘The Substance,’ Demi Moore and Margaret Qualley’s Flesh-Shredding Body Horror, With 11-Minute Standing Ovation
7h
V
Cannes: Body-Horror Flick ‘The Substance’ Wows Fest, Getting Nine-Minute Standing Ovation
7h
H
‘The Substance’ Review: Demi Moore and Margaret Qualley in a Visionary Feminist Body-Horror Film That Takes Cosmetic Enhancement to Extremes
8h
V
A24 Acquires U.S. Rights for Ruben Östlund’s ‘The Entertainment System Is Down’
9h
H
How to Watch the ‘American Idol’ Season 22 Finale (and Katy Perry’s Farewell) Online Free
9h
V
Sergei Loznitsa’s ‘The Invasion’ Picked Up for France Following Cannes Premiere (EXCLUSIVE)
10h
V
Box Office: ‘Kingdom of the Planet of the Apes’ Hits $237 Million Globally, ‘IF’ Nears $60 Million
10h
V
A24 Closing U.S. Rights Deal on Ruben Ostlund’s ‘The Entertainment System Is Down’
10h
V
Seattle International Film Festival Awards Top Honors to ‘Sing Sing,’ ‘Gloria!’
10h
V
This Hack Lets You Use Your Own Wireless Earbuds and Bluetooth Headphones on the Plane
11h
V
Tearful Kevin Costner Unveils Western Gamble ‘Horizon’ at Cannes: “Sorry You Had to Clap So Long”
11h
H
Kevin Costner Can’t Hold Back Tears as His Western Epic ‘Horizon’ Earns 7-Minute Cannes Standing Ovation, Promises ‘3 More’ Installments
11h
V
Amazon’s Latest Security Camera Deal Gets You Its Bestselling HD Cam for Under $20
11h
V
Michel Hazanavicius on His Cannes Competition Film ‘The Most Precious of Cargoes’: ‘It’s About People Who Saved Lives’ (EXCLUSIVE)
12h
V
Urban Sales Racks Up Deals on Animation ‘Into the Wonderwoods’ Ahead of Cannes World Premiere (EXCLUSIVE)
13h
V
‘My Sunshine’ Review: Hiroshi Okuyama’s Second Feature Traces a Gentle Trajectory Through Changing Seasons
13h
V
Spanish Animation Woos Marché du Film Buyers
14h
V
Sean ‘Diddy’ Combs Admits to Assaulting Cassie in 2016 Video: ‘I Was F—ed Up’
15h
V
UFO Nabs French Distribution for Directors’ Fortnight Player ‘Gazer’ (EXCLUSIVE)
15h
V
Box Office: John Krasinski’s ‘IF’ Debuts at No. 1 With Soft $35 Million
15h
V
‘The Substance’ Director Coralie Fargeat on How Her Feminist Body Horror Film With Demi Moore and Margaret Qualley Mirrors #MeToo: ‘We Need a Bigger Revolution’
15h
V
‘Limonov: The Ballad’ Review: Ben Whishaw Stars in a Portrait of a Radical That Is All Swagger and No Game
15h
V
A.R. Rahman Unveils Music Documentary ‘Headhunting to Beatboxing’ at Cannes (EXCLUSIVE)
16h
V
‘The Falling Sky’ Review: The Yanomami People Deliver an Apocalyptic Warning in Scorching Resistance Doc
16h
V
Sony Brings Stable of Filmmakers to Cannes for Columbia 100th Anniversary Bash
16h
H
Filmmaker Claude Barras Gets Animated in Cannes with Stop-Motion Feature ‘Sauvages’
16h
H
Cynthia Erivo Delivers Powerful Speech About Being ‘Black, Bald-Headed, Pierced and Queer’
16h
V
Why We All Really Do Care About Standing Ovations
17h
H
Julianne Moore Says It’s ‘Very Exciting’ to See Women ‘Represented Through All Stages of Their Lives’ on Screen
18h
V
Spanish Animation Booms, Still Looks For Improvement
18h
V
Cannes, According to … The Local, Lawyer Susan Abramovitch
18h
H
‘Rumours’ Review: Cate Blanchett Gets Lost in Heavy Fog and Hot Air in a Laugh-Out-Loud Political Satire
18h
V
Cate Blanchett’s New Film ‘Rumours’ Is Named After the Fleetwood Mac Album: Its Characters Are ‘Creatively Fraught and Everyone Was Sleeping With Each Other, So It Made Sense’
19h
V
Selena Gomez, Zoe Saldaña and Édgar Ramírez on the Politics of ‘Emilia Perez’: ‘We Don’t Recognize the Country in Which We Live’
20h
V
Kirill Serebrennikov on Directing Ben Whishaw as a Russian Punk Poet ‘Who Wanted to Start a War Against the Entire World’ in ‘Limonov: The Ballad’
20h
V
‘The Falling Sky’ Directors Eryk Rocha and Gabriela Carneiro da Cunha on How The Amazon’s Yanomami Tribe Can Teach ‘White People’ to Dream Collectively
21h
V
Paolo Sorrentino on Making His First ‘Feminine Epic’ With Cannes Film ‘Parthenope’ and Directing Gary Oldman: He’s ‘One of the Top Five Actors in the World’ (EXCLUSIVE)
22h
V
Swiss Films, Visions du Réel Give Voice to the Discriminated at First Cannes Docs Swiss Showcase
22h
V
‘Nasty’ Serves Up Punchy Portrait of ’70s Tennis Bad Boy Ilie Nastase Who Helped Define Era
22h
V
Selena Gomez, Zoe Saldaña and Karla Sofía Gascón on Crafting Cannes Standout ‘Emilia Pérez’: ‘This Movie Is About the Power of Femininity’
22h
V
‘Hamlet’ Starring Riz Ahmed Bought by Focus Features for International Rights (EXCLUSIVE)
23h
V
Mubi Acquires Magnus von Horn’s Chilling Cannes Competition Entry ‘The Girl With the Needle’ (EXCLUSIVE)
23h
V
Films Boutique Sells Mohammad Rasoulof’s ‘The Seed of the Sacred Fig’ to Multiple Territories (EXCLUSIVE)
23h
V
Cannes ACID Opener ‘Kyuka’ Sold to France, Greece and Benelux by Heretic (EXCLUSIVE)
23h
V
‘Everybody Loves Touda’ Review: Nabil Ayouch’s Feminist Musical Drama Only Really Sings When Its Leading Lady Does
1d
V
‘SNL’: Jake Gyllenhaal Tries and Tries to Cancel a Flight
1d
R
Somali Filmmaker Mo Harawe Makes History in Cannes With Intimate Family Drama ‘The Village Next to Paradise’
1d
V
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