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Cate Blanchett Is Pushing for More Funding for Women and LGBTQ Filmmakers, but She Wants to Know Why Nobody Asks Men How to Fix It
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The Apartment to Produce ‘Rosebushpruning,’ Starring Kristen Stewart, Josh O’Connor and Elle Fanning
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Cannes Halftime Report Card on Films’ Awards Prospects — for Fest and Fall Prizes
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Inside the Legal Battle to Recut Trump Movie ‘The Apprentice’: Why Billionaire Investor Dan Snyder Is Furious With Ex-President’s Portrayal (EXCLUSIVE)
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New Saudi Production Company 3SIX9 Studios Launches From Cannes With Hollywood Film and TV Slate
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Sean Cronin’s Magnificent Films Unveils Brace of Vampire Projects at Cannes Market (EXCLUSIVE)
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‘The Crown’-Inspired Drama About Iran’s Last Royal Family in Development at Random Access Media (EXCLUSIVE)
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Asian and European Film Associations Seek Common Ground at Cannes – Global Bulletin
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Federation Spain Boards Xavier Rull’s Frontières Platform Player ‘My Stalker’
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Kevin Costner Talks Diversity in Western ‘Horizon,’ Promises to Keep Shooting Part 3 “as Far as My Money Takes Me”
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It’s Time for Wine and Discussion as German Films Celebrates 70th Anniversary at Cannes: ‘We Have to Be Even More Daring’
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Maltese Film Industry Booming With Impressive Tax Rebate, But Not Without Growing Pains
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‘The Kingdom’ Review: The Daughter of a Corsican Big Shot Practices Her Aim in Cannes Standout
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Cannes: 3SIX9 Studios Launched by Group Including Saudi Sheikh Mohammed El Khereiji
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Kevin Costner Has ‘Knocked on Every Boat in Cannes’ to Help Finance Third ‘Horizon’ Movie: ‘Come Get Your Checkbook Out. Let’s Talk Money!’
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New Italian Label PiperFilm Launches With Paolo Sorrentino’s ‘Parthenope’ and Post-Theatrical Window Deal With Netflix (EXCLUSIVE)
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Hunter Schafer’s ‘Cuckoo,’ Charlie Plummer’s ‘National Anthem’ to Bookend Raindance as Festival Moves Up to Summer From Fall
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Demi Moore Addresses Extreme Nudity, Violence in Cannes Shocker ‘The Substance’
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Demi Moore on Full Frontal Nudity With Margaret Qualley in ‘The Substance’: ‘A Very Vulnerable Experience’ but I Had a ‘Great Partner Who I Felt Very Safe With’
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Cannes Title ‘Santosh’ First Clip Unveiled: ‘Religious Intolerance, Casteism, Prejudice and Misogyny Are Sitting Heavily in the Atmosphere’ (EXCLUSIVE)
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Alan Partridge Returns in First Look Image From BBC Mockumentary ‘And Did Those Feet…’
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Mediterrane Film Festival Returns for Sophomore Edition With Focus on Industry and Local Stories
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‘Mothers’ Instinct’ Set for China Theatrical Release (EXCLUSIVE)
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Film Factory Takes Global Rights to ‘Ex Machina’-Inspired Spanish Sci-Fi Thriller ‘Singular’ (EXCLUSIVE)
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Filming in Hungary Comes With a 20-Year-Old Tax Rebate – and Thermal Baths
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Christophe Honoré on the Health of Cinema, Nepo Babies and His Latest Film, ‘Marcello Mio’
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China Box Office: ‘The Last Frenzy’ Returns to Top Spot as Theatrical Momentum Slows, ‘The Fall Guy’ Flops
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Carson Lund Pitches ‘Eephus’ as a Universal Tale on Change, Aging and Loss
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‘CSI: Vegas’ Ends Its Series Run With a Shocking, Unexpected Villain Twist
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Korea Box Office: ‘IF’ and Other New Releases Make Little Impact as ‘The Roundup: Punishment’ Hits $75 Million
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‘The Garfield Movie’ Review: Beloved Feline Loses His Sarcastic Growl in Product Placement-Heavy Origin Story
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Producer Frank Marshall on Resurrecting a Lost Album by Jazz Greats Chet Baker and Jack Sheldon, 52 Years After It Was Recorded
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‘Horizon: An American Saga — Chapter 1’ Review: Sprawling Yet Thinly Spread, the First Part of Kevin Costner’s Western Epic Feels Like the Set-Up for a TV Miniseries
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Justin Baldoni Explains Decision to Age Up Characters in ‘It Ends With Us,’ Credits Blake Lively for Getting Taylor Swift Song in Trailer
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Cannes Goes Ape — for ‘The Substance,’ Demi Moore and Margaret Qualley’s Flesh-Shredding Body Horror, With 11-Minute Standing Ovation
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Cannes: Body-Horror Flick ‘The Substance’ Wows Fest, Getting Nine-Minute Standing Ovation
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‘The Substance’ Review: Demi Moore and Margaret Qualley in a Visionary Feminist Body-Horror Film That Takes Cosmetic Enhancement to Extremes
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A24 Acquires U.S. Rights for Ruben Östlund’s ‘The Entertainment System Is Down’
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How to Watch the ‘American Idol’ Season 22 Finale (and Katy Perry’s Farewell) Online Free
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Sergei Loznitsa’s ‘The Invasion’ Picked Up for France Following Cannes Premiere (EXCLUSIVE)
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Box Office: ‘Kingdom of the Planet of the Apes’ Hits $237 Million Globally, ‘IF’ Nears $60 Million
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A24 Closing U.S. Rights Deal on Ruben Ostlund’s ‘The Entertainment System Is Down’
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Seattle International Film Festival Awards Top Honors to ‘Sing Sing,’ ‘Gloria!’
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This Hack Lets You Use Your Own Wireless Earbuds and Bluetooth Headphones on the Plane
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Tearful Kevin Costner Unveils Western Gamble ‘Horizon’ at Cannes: “Sorry You Had to Clap So Long”
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Kevin Costner Can’t Hold Back Tears as His Western Epic ‘Horizon’ Earns 7-Minute Cannes Standing Ovation, Promises ‘3 More’ Installments
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Amazon’s Latest Security Camera Deal Gets You Its Bestselling HD Cam for Under $20
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Michel Hazanavicius on His Cannes Competition Film ‘The Most Precious of Cargoes’: ‘It’s About People Who Saved Lives’ (EXCLUSIVE)
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Urban Sales Racks Up Deals on Animation ‘Into the Wonderwoods’ Ahead of Cannes World Premiere (EXCLUSIVE)
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